Overall, Stephanie Barron has done a masterful job of invoking Jane Austen and her world through her series of mysteries starring Austen as a sleuth. The ninth installment, "Jane and the Barque of Frailty" is one of the weaker stories within the series. While still a testament to Barron's ability to weave a fictional tale around real-life historical figures, it is too far-fetched by half, straining the credibility that has been a keystone in the other works.
"Jane and the Barque of Frailty" finds Jane in London, awaiting the anonymous publication of "Sense and Sensibility" while staying with her brother Henry and his wife Eliza. While well past her prime, Jane still enjoys the delights of the town in spring. But as usual, she finds a mystery to solve when a Russian princess is found dead, her throat slit, on the doorstep belonging to a prominent Tory minister. Days before, scandalous letters between the two were published in the papers, but the death is declared a suicide. Jane knows it to be murder, and that the man under suspicion is not the guilty party, but before she can prove this to be true, she finds herself embroiled in guilt with the case and her very life in danger.
As always, Stephanie Barron's depictions of Austen's world are near-flawless: her use of language of the period and physical descriptions seem effortless and she does greater justice to Austen's legacy than many others who have stood to profit from her works. However, the storyline for "Jane and the Barque of Frailty" seems rather outlandish at times: the events that lead to Jane and her sister-in-law being suspected of foul play is a stretch, as are some of the manuevers Jane uses to gain information to clear her name. Still, this ninth installment is an enjoyable read for fans of the series, even if it does not rank up there with earlier and better entries.