Four and a half stars! The title track that opens the album is meandering, intense and mournful like a torch song. The expressive solo voice occasionally reaches into the higher registers, juxtaposed against the stable baritone backing vocals. Both the catchy numbers Sofia and Nafanta are uptempo pop with lilting rhythms and addictive melodies, the type of African pop I associate with e.g.
Ray Lema,
Kasse Mady and
Tabu Ley Rochereau. Other light songs like Samba et Leuk and Takou Deneu have intricate percussive patterns.
West African artists like
Baaba Maal,
Salif Keita and
Youssou N'Dour have a special gift for a type of melodious "southern soul" ballad, and Ismael Lo too. My favorites include Tajabone with its lovely flow and distinct country feel, Nabou which is embellished with atmospheric synthesizer infusions and charming female backing vocals, Lotto Lo, melancholy with a typical folk or singer/songwriter feel about it and Souleymane, this one in a pop-rock vein starting slowly & gently and then developing into an impressive power ballad. All of these are outstanding tracks in delivery, melody and arrangement.
The rhythmic texture on Raciste is most appealing and Dibi Dibi Rek, the huge hit with the addictive hooks remains as charming as ever. Khar resembles Jammu in style as a type of torch song. The real Wow, however, is the duet with
Marianne Faithfull! I've been a devoted fan of hers for many years; in my opinion this is one of her most successful collaborations ever. Their voices blend and diverge stirringly on this tender and haunting song, resonating to the same emotions within the scope of a shared or overlapping vocal timbre. The blend of languages also contributes to the magic. This song alone would have made Jammu Africa essential; fortunately the entire album consists of beautiful songs and sounds.