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If there is one criticism it's that Jamm lacks that one, jump-the-broomstick track that suddenly rocks out and changes the record's pace in the style of, for example, the clattering, masterful title-track of 2005's Lamp Fall. Yet it's a small criticism, for there are so many lovely moments in these ten songs that such a track might have even spoilt the album's cohesion.
Above all, Lo's voice has surely never sounded better and the scat singing that comes in about a minute and a half into the hypnotic opener `Conia' makes the hairs on the back of your neck stand on end. Just as impressive is his singing on `Warico', an old song by Amadou Balaké from the 1970s, where Lo's words (all in Wolof, of course) joyously tumble over each other in that wonderful rasping falsetto that is one of his trademarks. Pee Wee Ellis adds tenor sax, most notably an outstanding solo on `Bourama', while Cheikh Tidiane Tall plays what can only be described as Afro-surf guitar on the Dakar beach party that is Lo's version of the old Bembeya Jazz classic, `Il N'est Jamais Trop Tard'.
© Nigel Williamson
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