I eagerly anticipated this disc from James. The disc's title is a cheeky tribute to the Glenn Gould and I'm sure would have been appreciated by the great prankster the Canadian master was! James is very serious when discussing the works on this CD, revealing how well read he is and shares his ideas about what the composer may have had in mind when composing each work. The music on offer represents peaks of the repertoire, so don't be put off by the title or cover of the CD.
James's performance of Bach's emotional and thorny sixth partita is beautifully thought out and he plumbs the depths in the music without losing sight of its stylistic provenance. The approach is very uncomplicated with clear articulation and dancing rhythms. As in his earlier recording of the 5th French Suite, James shows himself to be very fine Bach player playing with great intelligence and giving us an uncluttered and refreshing view on this great work.
Beethoven's Op. 109 is a tough nut to crack. Making sense of the wildly contrasting moods is very challenging: what's it all about ? James has his ideas that he articulates on the CD (its good to hear his thoughts, always fascinating and apposite). Upon listening several times over, its hard to think of an interpretation that makes more sense of the rhapsodic lyricism, the dreamy introspection tempered with steely Beethoven sturm and drang. So a very poetic, highly nuanced reading that's a triumph in every respect, and all the more amazing considering James's unconventional route to the recording studio! Having read several reviews in the mainstream press, I'm not the only listener to reach these conclusions.
I enjoyed the Bach Busoni transcription more that I thought I would. Its a huge work and performances from the likes of Horowitz have always cast a shadow over any pianist tackling it: so you need to have something different to say. James certainly does, though the tone is a touch lean at times and needs a deeper and more resounding sense of "organ" fortissimo.
Bonus tracks include a a Prelude and Chopin last, stormy Etude and the slow movement of Bach's transcription of Marcello's Oboe Concerto. In conclusion, a triumph. A serious musician is at work here, the playing is more focussed and determined than on his last disc and adds up to an exceptionally fine recital.