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Jacqueline Groag: Textile and Pattern Design: Wiener Werkstatte to American Modern [Paperback]

Geoff Rayner , Annamarie Stapleton , Richard Chamberlain
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

31 Oct 2009
Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria with the Secessionist architect and designer Josef Hoffmann, in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938, the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite in Prague they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. From 1940 until her death in 1986, Jacqueline had a long and successful career. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to her influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio. In the later 1950s and throughout the 1960s, she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R. U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain. It had been a long time coming, during which she had determinedly overcome anti-semitism, rampant misogyny and xenophobia. She died in London in 1986 at the age of 83.

Product details

  • Paperback: 224 pages
  • Publisher: ACC Editions (31 Oct 2009)
  • Language: English
  • ISBN-10: 1851495908
  • ISBN-13: 978-1851495900
  • Product Dimensions: 2 x 21.3 x 26.3 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 596,068 in Books (See Top 100 in Books)

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This absorbing tribute to Jacqueline Groag begs the question of how someone so significant in mid-twentieth century pattern design in Britain, can be so little heard of today." House and Garden, April 2010

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4 of 5 people found the following review helpful
By milly
lavishly illustrated and with an excellent introduction to her work,this book will ensure that Jacqueline Groag's superb textile designs are appreciated anew, and her reputation enhanced.
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Most Helpful Customer Reviews on (beta) 5.0 out of 5 stars  2 reviews
5.0 out of 5 stars Great book! 21 Jan 2014
By L. Holbrook - Published on
Format:Paperback|Verified Purchase
I saw some of her dresses and some sketches at an exhibit at the Denver Art Museum and fell in love with her work - so buying this book was the next natural step for me. Great price too!
1 of 10 people found the following review helpful
5.0 out of 5 stars wonderful book 30 April 2011
By Lillian Groag - Published on
Format:Paperback|Verified Purchase
I am actually partial, I think, as Jacqueline Groag was a cousin of my father's, but it was great to find out about parts of the family I never got to know because of WWII.
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