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Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows him to heap on black culture and language, something he has a gift and passion for, though the film is not a salute to Grier's blaxploitation films beyond the soundtrack. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
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Then you have Jackie Brown. A forgotten gem in the Tarantino Collection, this film is my personal favourite. Its not as violent as his others, but the storyline is excellent.
Basically, the film is about Ordell (played by Samuel L Jackson) trying to smuggle half a million dollar into America from Mexico, using his friend, air stewardess Jackie Brown. Ordell is played to perfection by Jackson, and the character really comes alive, thanks to his paranoid nature, including shooting his friend for getting arrested because he thinks investigations could bring up his name.
The smuggling plot falls apart when Jackie Brown is arrested smuggling in a tester amount of £50,000 and fears for her life after Ordell visits her apartment, gun in hand, but after a while, she convinces him on her loyalty, and the plan continues, but where do Jackie's loyalities really lie, and who will survive in this tense, yet compelling tale.
The film is 2 and a half hours long, and I really couldnt turn away, and that is something I dont say about a lot of films. I simple love Samuel L Jackson's acting ability, and this is potentially his finest performance.
In short, excellent film, another true masterpiece, and probably the only Tarantino film that doesnt need 2 or 3 watches to understand and appreciate it. Ironically, you'll appreciate it so much, you'll watch it 2 or 3 times because its so damn good.
I saw this in the cinema when it first came out and came out thinking it was brilliant. What makes this movie work so well is it's chilled out vibe. This is conveyed through the excellent sound track, derived from the blaxploitation movies of the 70s. I would say that this is the best soundtrack used yet in one of Quentins movies.
The film runs at a slow pace which can put off some viewers, but I found that there was enough going on in the plot to keep me watching. It may not have the same level of violence as most Tarentino movies, but the characters are deep and develop well over the 2.5 hours.
The dialogue, as can be expected by a Tarrentino movie is brilliant. It is rare to have a director with such talent that can make a hollywood movie, but have the ability to create this "Art House" vibe and make a movie that is different from the mainstream. Jackie Brown is the height of Tarrentinos movie making talent and I would recommed this to anyone who has a sense of style and taste, who isn't afraid of going against the flow.
Instead here, he concentrates on the intricacies of the plot by airline stewardess and bag woman Jackie (played by Blaxploitation heroine, Pam Greer), to swindle her hoodlum boss Samuel L.Jackson, himself in excellant form, from virtually all his misbegotten earnings, whiich he needs moved up from Mexico.
Style is as much a feature of this film as well as acting skill and a good script. Flashbacks, inter-twining sub-plots and a whole lot of 70's soul music all add up to make this picture a worthy addition to any collection.London, Uk
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