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5 of 7 people found the following review helpful:
4.0 out of 5 stars
BACK TOWARDS FRONT, 26 Jul 2005
Despite what Hollywood might tell you the best love stories all end in tragedy - take, for example, J.S.A. or JOINT SECURITY AREA. By all accounts this should have been just a straight mystery / thriller with on the spot topicality dealing with one of the most dangerous places on Earth right now: North and South Korea and their DMZ. Here in the United States we have the DMV, and while the two can't be compared - it's as close as we can come to imagining a line that runs down the middle between those that have everything and those that have nothing to lose. This is a movie that should have been filled with guns, tanks, rockets, missiles, barking special operatives, red and blue wires and a final countdown. And J.S.A. does have these moments, but they're mostly in the background. Instead, what we have here is a love story. Perhpas not in the traditional sense, but a love story all the same. And while it's boy meets boy - it's not meant to be homoerotic but instead patriotic. This is a political love story where two sides to the same coin meet along the edge and try to come to an understanding that neither of their governments, or leaders, can agree to. The South has everything, but feels empty. While the North has next to nothing, yet is filled with dreams (sweet dreams in fact - you'll know what I mean when it happens). J.S.A. has all the trademarks of a love story. There's a "cute meet" scene between our leads. There's a goofy sidekick, a dog, a buddy / pal, two families in opposition keeping our "meant to be's" apart (who proceed to steal away each night to be together), a soundtrack, a catch phrase (of a sort - it's repeated several times in the film), food, a breaking down of walls... and then violence, scarifice, and the aforementioned tragedy. It's a dark and disturbing ending which works to draw you to the central point of the film - love hurts... no, just kidding. The point is an old one. It's a classic. You can find it in any Civil War and you can find it in the DMZ between North and South Korea - no house, no home, no land or its people can remain divided forever. Like Hong Kong to China, like East and West Germany - at some point, sooner than we might want to imagine, the DMZ is going to have to be erased... and J.S.A. is pointing to this line and trying to rub it away (the group photo scene, both of them, are the stand out shots here - a great moment). The central story here works. The wrap around staggers and stumbles a bit as it comes across too much like SILENCE OF THE LAMBS. But taken all together it helps to keep the movie clicking. Production values are excellent and the performances from the leads draw and involve you. Stick with the original voice track as the dub version sounds as bad as a GODZILLA film. J.S.A. promises everything on its cover (helicopters!, explosions!, fireballs!, a raging inferno!, and a tag line so old it's drawing social security: HE CROSSED THE BRIDGE OF NO RETURN! Aaaaaiiieeeee!), but gives twice as much, and twice as good, once you get inside. Excellent film. Highly recommended.
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