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Like every other early Wu solo album, it is at times a group effort. In fact, Raekwon and Cappadonna are giving second billing on the album. This trio works to best effect on the club favourite 'Daytona 500'. On it, Rza drags the listener into his chamber of innovation. The track grabs a heavy sample of Bob James' seminal funk track 'Nautilus' and couples it with some outrageous scratching. Method Man delivers a typically nonchalant verse on 'Box In Hand'. Meanwhile, Raekwon and Cappadonna reappear on 'Camay' to play sweet-talking suitors along with Ghostface.
Certainly the LP is best known for containing Ghostface's most commercial track so far, 'All That I Got Is You'. It's almost the perfect blueprint for a commercially successful hip hop track. Combining a guest spot from Mary J Blige with a heavy sample of 'Maybe Tomorrow' by the Jackson 5, the track tells the story of Ghostface's deprived childhood. "Fifteen of us in a 3 bedroom apartment / Roaches everywhere, cousins, Aunts was there / Four in the bed, two at the foot, two at the head / I didn't like to sleep with John John he peed the bed." It's a heartbreaking track. Rappers seldom manage to get tearjerkers right, but Ghostface manages it without breaking a sweat.
Credit must go to Rza for some innovative production. Rza, in his trademark style, takes sparse percussion and bass thuds and marries them to lush orchestration, baroque riffs and 1960s soul samples.
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