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Iphigenia at Aulis (Classical Dramatists)
 
 
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Iphigenia at Aulis (Classical Dramatists) [Paperback]

Euripides

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The Greek fleet assembles at the bay of Aulis in readiness to launch an attack on Troy, but the wind suddenly drops and the ships stand idle. Don Taylor's translation is faithful to Euripides' original, and the play confronts us with themes of war and humanity, as valid today as when written over two thousand years ago.

About the Author

Euripides is the youngest and most controversial of the three surviving great tragedians from fifth century Athens. His works include Medea, the Trojan Women, the Bacchae, Iphigenia at Aulis and Hippolytus. His polemic, charged plays with their universal themes and significance remain highly relevant to today's society.

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Amazon.com:  2 reviews
1 of 1 people found the following review helpful
Excellent and playable translation 16 Mar 2007
By Steven W. Bouler - Published on Amazon.com
Format:Paperback
The Don Taylor translation is one of the best because of its inherent playability. Unlike other "standard" translations of the play, Taylor seems to bring an understanding of the play as a piece of theatre. Certainly the powerful and moving production at the National Theatre proved it to be so.
3 of 4 people found the following review helpful
A prologue to Homer's Iliad courtesty of Euripides 26 April 2004
By Lawrance M. Bernabo - Published on Amazon.com
Format:Hardcover
"Iphigenia in Aulis" was the last play written by Euripides and represents his most cynical depiction of the great heroes of Greek mythology. The subject of the play is the sacrifice of Iphigenia, ordered by her father King Agamemnon, to appease the goddess Artemis, so that the Achaen fleet can have fair winds to sail to Troy and bring back Helen. Of course is will be ten long years before Agamemnon returns, to be murdered in his royal home by his wife Clytemnestra, who spent those long years of separation waiting for the day she could avenge her daughter's death.

I have used "Iphigenia in Aulis" as part of large unit on the Trojan War right before proceeding on to Homer's epic poem the "Iliad." Not only does the play come at that point in terms of the chronology of the war, but it clearly foreshadows the initial confrontation in the "Iliad" between Agamemnon and Achilles over Briseis of the lovely arms. To get his daughter to come to Aulis and be executed, Agamemnon says she is to marry Achilles. This lie not only makes Achilles angry when he learns about it, but the prospect of her daughter's marriage brings Clytemnestra to Aulis as well and foreshadows the tragedy "Agamemnon" by Aeschylus, the first part of the famed Orestia, as well.

But it is the contrast with Homer's epic that is most manifest here. Euripides invests the beginning of Homer's saga with painful irony as Agamemnon rejects the pleas of Briseis's father; after all, has the Achean leader really forgotten the pain of sacrificing his daughter ten years earlier? In Euripides's play it becomes clear that Agamemnon does not care for his daughter; she is but a bargaining chip in his ploy for power. As her father and ruler Agamemnon could simply order his daughter to come to Aulis, but instead he concocts a fake marriage to Achilles, the most eligible of the young Achean heroes. When Achilles finds out he has been a pawn in this deadly little game he is incensed and promises to safe the maiden, but in the end he turns out to be as foolish and as wicked as the rest of the characters. All of the sympathy goes towards Iphigenia, the only true hero in the drama since she alone acts selflessly. For the greater glory of the Achean host she will accept her fate and thus be fondly remembered.

Any one teaching the "Iliad" should at least provide the gist of "Iphigenia at Aulis" as background material, along with the story of the judgment of Paris. The same would apply to the study of either the entire "Orestia" or just the first play in the trilogy, "Agamemnon." Of course, this task might be made a lot easier with the release of "Troy" next month, as Homer finally gets a first class treatment on the big screen. As for the "true" fate of Iphigenia as realized by Euripides in "Iphigenia at Taurus," which is certainly the least tragic of his tragedies, that can be briefly mentioned as well to bring the whole grand tale to a happy ending of sorts.


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