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Invisible Empire // Crescent Moon [Explicit]
 
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Invisible Empire // Crescent Moon [Explicit]

10 Jun 2013 | Format: MP3

£9.49 (VAT included if applicable)
Buy the CD album for £8.47 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
3:52
30
2
4:11
30
3
4:10
30
4
3:41
30
5
3:12
30
6
3:12
30
7
3:52
30
8
4:29
30
9
4:11
30
10
3:37
30
11
3:22
30
12
5:26
30
13
3:49
30
14
4:59
30
15
4:28


Product details

  • Original Release Date: 10 Jun 2013
  • Release Date: 10 Jun 2013
  • Label: Virgin Records Ltd
  • Copyright: (C) 2013 Jaydone Ltd., under exclusive license to Virgin Records Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:00:31
  • Genres:
  • Format: Explicit Lyrics
  • ASIN: B00D1ASE2W
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (110 customer reviews)
  • Amazon Bestsellers Rank: 13,962 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

56 of 57 people found the following review helpful By Sprootie on 10 Jun 2013
Format: Audio CD
I was a fan of KT Tunstall' first album, Eye to the Telescope, but I didn't find either of her next two nearly as good. While this album doesn't have the same folk-pop feel of her debut, I think it's miles better. She recorded this album in Arizona, and the country influences show through, and there isn't quite as much folk in this offering.
KT has said in interviews that the death of her father was a big influence, and it shows with a more sombre Tunstall over the opening few tracks. 'Invisible Empire' and 'Made of Glass' are both great tracks, with KT' voice right at the front carrying some lovely lyrics such as 'I wear a rusting crown, I know this dynasty is falling'. It's obvious from the opening tracks that this is a much deeper album.
As the name, Invisible Empire // Crescent Moon suggests, this is an album of two halves. While the first, Invisible Empire, deals with the death of her father, the second Crescent Moon, deals with the collapse of her marriage. The second half of the album has a different tone, one that deals less with mortality, and feels more reflective.
The stand out track from the second half is 'Feel it All'. The vocals on this track are just packed with emotion, and I feel this is probably KT' best tracks to date. The next track, 'Chimes' is a great collaboration with Howe Gleb. It feels so gentle and delicate and full of heartfelt emotion, as so much of this album is.
Invisible Empire // Crescent Moon is possibly Tunstall' best album yet, and I feel it's one that will age very well. I would love to see this performed in an intimate venue somewhere in the depths of Edinburgh' Old Town. A definite five star album.
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10 of 11 people found the following review helpful By A. Sweeney TOP 500 REVIEWERVINE VOICE on 14 Jun 2013
Format: Audio CD Verified Purchase
The moment you hear the first tentative, gentle bars of opening song, "Invisible Empire", you know that this, her fourth full studio album, is going to be something different from Kate. I was a huge admirer of her début album, "Eye To The Telescope" but felt that each subsequent album had less to offer than the previous, so my expectations were lower for this release. The sad loss of her Father and the break-up of her marriage, however, have provided (I'm sure, unwanted) material for an album full of painfully emotional lyrics and a more stripped down, vulnerable sound. KT's vocals are very prominent throughout, being the main instrument on this album and it's clear that she has some important things she needs to express. It would be difficult to categorise this album as there are elements of folk and jazz, but it has most definitely not been written to appeal to the pop mainstream. This is a carefully sculpted piece of art which requires your full attention to gain full appreciation of, not something that should be relegated to background music whilst you carry on with other tasks.

This is a remarkably good, honest album, with a depth and maturity to the writing that you could argue has only been occasionally present in Tunstall's previous work and there are many notable performances. "Made Of Glass" is a truly beautiful track that anybody who has suffered heartbreak can relate to with lyrics such as, "I'm tired of thinking of you/each and every minute I see something I know that you'd love" which ends with a Andrew Bird's mellifluous whistling.
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15 of 17 people found the following review helpful By Peter Durward Harris #1 HALL OF FAMETOP 10 REVIEWER on 11 Jun 2013
Format: Audio CD
I found this album filed, as I expected, in the mainstream pop/rock section of the local record store, but I think it really belongs in contemporary folk. Of course, marketing departments (whether within record labels or retail outlets) have their own reasons for classifying music, usually money, but misleading customers is never a good idea. I like folk music anyway, my tastes being somewhat eclectic, so I am very happy with this album. I figured that this might be a folk album anyway based on the cover, showing an Arizona landscape. I'd been meaning to buy some of her music since hearing her as a guest on Moving Out To The Country (Jools Holland and guests), and she easily lived up to expectations.

KT not only sings but was involved in almost every aspect of the creative process, writing most of the songs, co-writing the others, playing various types of guitars and pianos, co-producing the album and even being art director.

The first single, Feel it all, is presented in two versions, the main (but not only) difference being the addition of an electric guitar on the band jam version. Electric guitars feature on several tracks, but not the basic version of Feel it all. There is the occasional pedal steel, but you'll have to listen closely to hear it.

This is an excellent comtemporary folk album that I hope KT and her fans are proud of.
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14 of 16 people found the following review helpful By Numinous Ugo on 10 Jun 2013
Format: Audio CD
This is a real treat to hear KT Tunstall going back to a stripped back sound. Her voice is right out there. I know that she wrote the songs around events the loss of her father and also the break up of her marriage, however, don't come to this album thinking it is going to be full of tragedy. I think I read that she said that it is melancholy and certainly she could not be criticised for that being a predominant emotion during the recording. I however would consider it introspective rather than melancholy. Her voice is beautifully exposed in these sparse settings. This is an utterly brilliant album with all the heart and soul that her fans could possibly want, but very different from her previous work without doing a diservice to either.

This woman can go in whatever direction she likes after this on her own terms.
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