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The Invisible Actor (Performance Books)
 
 

The Invisible Actor (Performance Books) (Paperback)

by Peter Brook (Foreword), Yoshi Oida (Author), Lorna Marshall (Author) "Before we start doing anything, it is important to clean the working space ..." (more)
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Product details

  • Paperback: 144 pages
  • Publisher: Methuen Drama; New Ed edition (7 Feb 2002)
  • Language English
  • ISBN-10: 0413696103
  • ISBN-13: 978-0413696106
  • Product Dimensions: 19.6 x 12.6 x 1.2 cm
  • Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 113,889 in Books (See Bestsellers in Books)

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Product Description

Product Description
Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. In this practical and captivating study of the actor's art written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides a running commentary on Yoshi Oida's work and methods which help you understand the achievement of this singular theatrical artist.

About the Author
Lorna Marshall teaches physical acting at the Royal Academy of Dramatic Art in London, and works internationally as a director and performance consultant in opera, circus and theatre. Her previous books include The Body Speaks and An Actor Adrift (also with Yoshi Oida). Yoshi Oida, a Japanese actor and director, has worked mainly in the West as a member of Peter Brook's theatre company in Paris where he became a leading member and trainer. His books include An Actor Adrift and The Invisible Actor.

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Before we start doing anything, it is important to clean the working space. Read the first page
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8 of 12 people found the following review helpful:
4.0 out of 5 stars One clear vision about the ocidental actor training, 9 April 2001
By A Customer
Oida explains to the modern and ocidental actor how to use the possibilities of his body to create a deep and honest art. Through the approach to the oriental tecnhiques of acting we start to see very easly how the physich actions are the main tool to the actor and his work with the character.
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