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Frequently Bought Together
Product details
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Track Listings
| 1. Invaders Must Die |
| 2. Omen |
| 3. Thunder |
| 4. Colours |
| 5. Take Me To The Hospital |
| 6. Warrior's Dance |
| 7. Run With The Wolves |
| 8. Omen Reprise |
| 9. World's On Fire |
| 10. Piranha |
| 11. Stand Up |
Product Description
Amazon.co.uk Review
Invaders Must Die finds the Prodigy line-up of Liam Howlett, Keith Flint, and Maxim Reality back together on record for the first time since 2002’s ill-fated, subsequently disowned “Baby’s Got A Temper”. This doesn’t mark a return to the bad old days of punk-rave cabaret, though. No, in fact, Invaders Must Die finds The Prodigy delving even further back into their history, an attempt to recapture the heady rave vibes, one-finger keyboard riffs, and concussive breakbeats of 1992’s Experience and its epochal follow-up, 1994’s Music For A Jilted Generation. True, sometimes it feels a little too transparent in its eagerness to recapture past glories: “Thunder”, with its loping reggae vocal, is undeniably Howlett on form, but it apes the formula of 1992’s “Out Of Space” a little too closely for comfort. Still, the likes of “Omen” and “Take Me To The Hospital” are agreeably back-to-basics cuts that merge nagging melodies and fairground waltzer queasiness with a weighty production job that renders them muscular enough to compete on a level playing field with Justice, Pendulum, et al. “Run With The Wolves” is the one track that harks strongly back to Fat Of The Land, a gnarled, rocky number with Dave Grohl on live drums that finds Keith Flint claiming to be “hung like a hound”. The closing “Stand Up” is a late surprise, meanwhile, a euphoric set-closer with hints of Screamadelica-era Primal Scream. --Louis Pattison
Review
Five years on from their last album, Keith Flint and Maxim Reality have joined Howlett in the studio to make what many will consider a last attempt at proving their relevance. Invaders Must Die then is the musical equivalent of a day spent on a bouncy castle: old-fashioned and loud, but damned good fun.
During the 1990s The Prodigy sat slightly above Underworld and The Chemical Brothers as rulers of British dance music.Yet by 2004's Always Outnumbered, Never Outgunned the Braintree, Essex mob had lost their way. That unremarkable album was made solely by leader Liam Howlett and largely met by indifference.
It would have been pointless trying to channel all the disparate progression electronic music has made in the last five years, so our trio have barely bothered.
What they have done is created a stonking batch of bangers that'll get fans and new converts leaping around as they listen.
The blatant, stirring calls for rebellion and anti-authority rants are still here. Check Piranha's ''They pull you under if they take a hold'', or Omen's ''The writing's on the wall/it won't go away''. Have they tried a board rubber?
Old-rave trademarks are here in spades, too. Warriors Dance, which sweeps in on a seductive snake chamer's riff, has a sped-up female vocal so old-skool it's like being pummelled in the face with a glowstick, while World's On Fire is so early 90s it wears a shellsuit.
Another highlight is Run With The Wolves: a track built around a Dave Grohl drum part. It epitomises torn metal and bright orange sparks and sounds like the soundtrack to a particularly vicious bare-knuckle robot boxing match.
Fans of Australian drum 'n' bass crew, Pendulum, will recognise familiar beats and motifs, but that's because their beloved antipodeans stole them from the Prodge in the first place.
If you want to hear where clubbing is heading, the likes of Diplo and Kid Cudi are worth checking. But for a satisfying lesson in bringing the noise taught by grandmasters, return to these twisted firestarters. --Lou Thomas
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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
4.0 out of 5 stars
The Return Of A Favourite,
By
This review is from: Invaders Must Die [Box Set] (Vinyl)
The Prodigy are back, and with Keith Flint, Liam Howlett and Maxim all back in ranks, this has to be one of the most exciting comebacks - especially after the disappointment of "Baby's Got a Temper", which I quite enjoyed personally, it seems other fans didn't really take to it.
Invaders Must Die has the grittiness and power of The Fat of The Land, the excitement of rave from Experience and the more grungy sound that was introduced in Always Outnumbered. Tracks like Thunder bring back the more darker side of the band, and reminds us of Out of Space - it's raw energy will transfer well on the stage when they gig later this year. Take Me To The Hospital also sounds typical of stuff you'd find on Experience, with the added vocals that you'd find on Music For The Gilted Generation. Other excellent tracks include the hit "Invaders Must Die", it's prominent synth line reminding us why they are considered top of the electronica tree, and Omen, with it's simple "Out Of Space" sound, breaks, and single finger xylophone lead, really brings me back to 1992, in a good way too. It's also nice to see Dave Grohl on this, doing live drums for the boys. This is a top album, I was really glad to get it today and discover the sound that I loved about The Prodigy was back. I enjoyed Always Outnumbered, so I wasn't worried if they had kept to that formula, but the fact they have re-grouped and done a mixture of old and new style really does wonders. This limited edition box set is great too, 5 7" singles - all coloured and has the whole album on, a CD/DVD (hybrid) which has the album on it, and the DVD side has the video of Omen, and Invaders Must Die. There is also a bonus CD with 4 tracks. It also has two films on there, World's On Fire, and Warriors Dance. Not only that, you get a stencil, Prodigy stickers and a poster. For me this was worth every penny, excellent.
31 of 34 people found the following review helpful:
5.0 out of 5 stars
Back To The Oldskool,
By
This review is from: Invaders Must Die (Audio CD)
Firstly i must say i was a little apprehensive about the new album. After the release of Always Outnumbered, Never Outgunned i thought the prodigy were taking their music in a completely different direction. Don't get me wrong i still think that was an excellent album, production was great, everything hit the right spots, but especially when hearing the tracks live, it didn't really work with the rest of their material.
Now to the new release, Invaders Must Die! The first thing you notice when listening to this album is the quality of the production, Liam has proven once again that he is the master when it comes to hard hitting beats, insane synths and massive breakdowns. Everything sounds clean and polished, and you can tell a lot of time has been spent making everything work. No doubt you've heard the opening track a hundred times already on the radio, but it was nice to hear a few changes to the version you might have already heard. This tracks kind of a nod to the last album, and maybe Liam's trying to show us how it should have been done last time. The second track Omen is our first glimpse back into the oldschool, hard hitting beats, and a piercing synth that takes you right back. I do have one gripe with this track tho, the version they played on radio 1 for the first time a few weeks ago had a slightly different break in it, which i prefer to the one on the album. It does work with the rest of the album though, so it's not necessarily a bad thing. Thunder is a nod to electro/house but still keeps to the roots of the prodigy's sound, oldschool stabs and a ragga vocal reminiscent of Out Of Space. I expect to hear this one out in the clubs a fair bit. Next up, Colours, which is more or less a sped up dubstep track, with some decent lyrics from Keith. I like the keyboard work in this track, which sounds very much like something off Experience. Take Me To The Hospital takes it back to the breakbeat, and sounds like something you would have heard at a rave in the early nineties, but again brings it back up to date with some slicing beats and some quality production. Next Up, Warriors Dance, which is my favorite track off the album. This track is truly for the prodigy fans who have been their from the start of the prodigy's career. I expect this will be an amazing track live. The breakdown three quarters into the track will have all the cheesy quavers putting their hands in the air. Run With The Wolves brings us back up to date, with a drum loop that wouldn't have sounded out of place on The Fat Of The Land. It sounds dirty (which is a good thing), and Keith's vocals are quite reminiscent of Firestarter. I love the synth near the end which sounds like it's been lifted straight off a Commodore 64. Omen (Reprise) truly takes you back to the hysteria years. At a festival this would make the perfect opener to Omen. This wouldn't sound out of place on an Commodore Amiga game. It's a decent filler. Worlds On Fire is where the album firmly sets it's place as an oldschool/newschool mix. The stabbing synths and jumpy keyboards make sure this will get the entire crowd jumping at a live gig. The keyboards especially sound like something off Experience. Piranha is the most 'band' sounding track off the album. Haunting synths straight from Scooby Doo, mixed with some oldschool stabs. The vocals work well to bring the whole track together too. The last track, Stand Up, Is a nod to the narcotic suite from Jilted Generation. Some people may not like it's slow pace, but if you loved tracks like 3 Kilos off Jilted, then you'll take this one to heart too. An upbeat end to a brilliant album. Overall this album works really well as a whole. I can honestly say i like every track off this album. It defiantly brings the Prodigy sound up to date, but will please fans of the early nineties material too. I never lost my faith in the prodigy like many people did, but this albums proves they can still do it like they used to. The Prodigy are defiantly back!
3 of 3 people found the following review helpful:
4.0 out of 5 stars
The Prodigy - Invaders Must Die,
By
This review is from: Invaders Must Die (Audio CD)
`Invaders Must Die' opens with a thudding bass line and a melodious guitar riff, which build gradually up until after 16 bars or so, they merge to provide a combined assault on your ears akin to the opening of a Pendulum record. The bass is cranked to 9 Billion, the tune is simple enough to dance to and the song as a whole is catchy as hell. Following the title track is lead single `Omen' - so good that when I first heard it, I swore that I was listening to a track from `Fat of the Land'. "The Writing's On The Wall" was about the only lyric I could gather, but it didn't matter because as with `Fire starter' or `Smack My B Up', one lyric is all you really need to be able to get fully into it.
The opening two tracks are an indication of what to expect on `Invaders Must Die'. `Warrior's Dance' provides contrast for about 30 seconds when it opens with a euphoric female vocal. Very quickly though, the listener is brought back with a bang, and back come the thick and heavy Drum n Bass beats. Where The Prodigy have always excelled, is in selling their distinct sound by varying the tracks just enough to so you don't get déjà vu every time there is a song change, but not so much as to slow the pace of the record. On `Invaders Must Die', this is brought in with great effect. For forty minutes or so, the music infects your ears and causes your body to move, never slowing or treading over old ground. The chances are that you already know if you are going to like this CD. There's nothing groundbreaking, audacious or controversial on this new release - it is just a good solid piece of work. As exciting as they ever were and ready to get the party going, The Prodigy are back. Nice to see that the boys still have still got it. 4 Stars Gregory Jolliffe
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