- Paperback: 72 pages
- Publisher: Dorling Kindersley Publishers Ltd; New edition edition (24 Jun 1999)
- Language English
- ISBN-10: 0751307505
- ISBN-13: 978-0751307504
- Product Dimensions: 27.4 x 21.6 x 1 cm
- Amazon Bestsellers Rank: 1,257,117 in Books (See Top 100 in Books)
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Product Description
Product Description
Intended for enthusiastic beginners and practising artists alike, this book shows you everything you need to know about perspective. Easy-to-follow projects instruct you in essentials, and aim to inspire you to tackle more complex techniques, including special effects. This book is one of a series of titles which range from acrylic figure to oil portrait and from pastel life to water-colour landscape. It offers close up step-by-step photographs which show drawings being created before your eyes and it lets you into the secrets of how professional artists produce their work.
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2 reviews
art books
21 April 2010
Format:Hardcover|Amazon Verified Purchase
Useful, easy to understand, a great set of books. I have some on drawing, watercolors, and pastels. DK Art School Well Done!!!!
9 of 23 people found the following review helpful
Tools for Exploring Perspective
29 Mar 1999
Format:Hardcover
Linear perspective, said Leonardo da Vinci, Òis nothing else than seeing a place or objects behind a pane of glass, quite transparent, on the surface of which the objects that lie behind the glass are to be drawn.Ó Among LeonardoÕs notebook drawings, there is a tiny self-portrait (c. 1510) in which he is shown using a squared-off and window-like drawing device (sometimes called ÒAlbertiÕs veilÓ), four variations of which were depicted 15 years later in a famous series of woodcuts by German artist Albrecht DŸrer. This current publication is not only an introduction to perspective in book form but also a kit-like collection of tools to use in exploring for oneself its history, theory, and application. Among those tools are an acetate drawing window (like LeonardoÕs), two ÒdraftsmanÕs netsÓ (like that portrayed in DurerÕs prints), various measuring devices, pads of gridded drawing paper, and a cut-out with which one can easily make a three-dimensional model of Dutch artist M.C. EscherÕs Òimpossible triangleÓ (a well-known illusion that appears to violate certain spatial principles). Experimenting with the devices in this box could result in a deeper understanding of perspective, especially if one were to read at the same time an earlier, richer and far more interesting book on the same subject from the same publisherÕs Eyewitness Art series: Alison Cole, Perspective (Dorling Kindersley, 1992). (Review from Ballast Quarterly Review, Vol 14 No 2, Winter 1998-99)
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