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An Introduction to English Poetry
 
 
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An Introduction to English Poetry [Paperback]

James Fenton
4.9 out of 5 stars  See all reviews (7 customer reviews)
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Product details

  • Paperback: 144 pages
  • Publisher: Penguin; New Ed edition (29 May 2003)
  • Language Unknown
  • ISBN-10: 0141004398
  • ISBN-13: 978-0141004396
  • Product Dimensions: 19.2 x 12.8 x 1.2 cm
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 10,740 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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James Fenton
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Review

'It is hard to imagine a beginner who could not learn from [this book]. If you know a young poet, give them this' The Times Literary Supplement

Product Description

James Fenton's An Introduction to English Poetry offers a master class for both the reader and writer of poetry. Simply and elegantly written and discussing the work of poets as wide ranging as W. H. Auden, Dylan Thomas, Tennyson, Kipling, Milton and Blake, it covers all varieties of poetic practice in English.

'It is hard to imagine a beginner who could not learn from [this book]. If you know a young poet, give them this' The Times Literary Supplement


Inside This Book (Learn More)
First Sentence
English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends. Read the first page
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most Helpful Customer Reviews
59 of 60 people found the following review helpful
Format:Paperback
A brilliant book! The 22 loosely connected essays, that form the chapters of this book, are enjoyable and easy to read, but instructive and illuminating at the same time. An accomplised poet, James Fenton clearly understands both the technicalities and the aesthetics of English poetry very well. And in this book I think he does a fine job of communicating both, with a light smattering of his, obviously extensive, erudition.

After reading this book I understand not simply what metre is, and what some of the metrical techniques are, but I also understand how to appreciate metre much better, and how metre contributes to the overall poetic achievement. And that is what I liked. But what is particularly impressive is that this knowledge and understanding is communicated by a series of short and simple essays, which are the book chapters. You can read and learn something worthwhile in ten minutes - or perhaps even less.

Too often in studies of literature a reader can feel oppressed by the erudition of the writer; but not here. James Fenton uses his knowledge of poetry well, it helps him to instruct, and it inspires our apprecation of the peotic concept and of the quoted poet. Perhaps the best example of this is his quote from Dryden's Absalom and Achitophel. I had barely heard of Dryden, but after reading the chapter that quotes Absalom and Achitophel I am left thinking, "I want to read that poem, and more Dryden."

In short if you want to learn about English poetry and be better able to appreciate it, then read this book.
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12 of 12 people found the following review helpful
By doublegone TOP 500 REVIEWER
Format:Paperback
Accessible, readable, useable, brilliant. The best book for the aspiring poet I have ever seen. The author is an academic but you don't need to be to get his points.
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7 of 7 people found the following review helpful
Format:Kindle Edition|Amazon Verified Purchase
I arrived at this book by coincidence; after reading a series of books on grammar and the construction of prose combined with the bibliography from Hitch 22 I was inspired to learn more about Poetry, and James Fenton seemed best qualified to make that introduction.

Previously I had seen poetry as a fairly self-indulgent and pretentious pursuit, but during the course of this book I came to appreciate how technical constraints provide a framework for expressing ideas. The chapters are able to break down what poetry is, James Fenton defines the concepts and rules of the form in an interesting and none-patronising way. It also avoids the aspects that may deter many readers, namely: what the subjects of poetry should be (this is left entirely to the reader). The examples are chosen for their illustrative merit (e.g. demonstrating Iambic Pentameter) and do not try to to do the job of an anthology.

I enjoy instructional books that cover basic principals, leaving the reader to practice and study how to use them. An Introduction to English Poetry will likely be read and reread by those who wish to appreciate and/or write poetry.
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