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Intervals, Scales, Tones and the Concert Pitch C = 128 HZ [Hardcover]

Maria Renold


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Book Description

28 Jun 2004
Pioneering research into Western music's classical Greek origins. The results of Renold's work include the discovery that the octave has two sizes, that there are three sizes of perfect "fifths," that an underlying form principle for all scales can be found, and more.

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The following observations are not coincidental but are the fruits of years of musical activity. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Amazon.com: 5.0 out of 5 stars  1 review
5.0 out of 5 stars A deep view on pitch relations: from technical to spiritual implications 28 Oct 2012
By PMAZ - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
Like the monumental Thesaurus of Scales and Melodic Patterns by N. Slonimsky, Intervals Scale Tones is a must have for all interested on the deep meaning and implications of pitch and sound relations. While Slonimsky does a systematic review on the overt and explicit (i.e., technical), Maria Renold goes to the core of the relations of pitch and their deep relation to the human sensibility and spirit. Deeply influenced by Rudolf Steiner, this work is a must to all that want to recover the hidden meaning of music. Maria's dissertation on the implications of pitch on the human state and, the importance of the Verdi pitch (i.e, C= 128Hz) are paramount to the present times, when humanity is loosing meaning. This work treasures important material to artists at a time when misconception about music is so prevalent, which sadly turned music to product to be sold rather than a sacrament to be shared with the universe. Real music brings people together on a higher plane.
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