I have been reading through the reviews for this horrific story, yet stupendous film, most of which I thoroughly endorse, but I came upon one by `HAPPY TULIP'(!) which she posted in September 2007 and I could not disagree more with her when she says that you can't show it to children of twelve.
This film is, as she also says, quite brilliant. This is the sort of world cinema production that Hollywood would not even know how to begin to make. It is `brilliant' in that it, in a necessarily harsh and even callous way, defines the brutal reality that is war and the fact that it is very often the children who suffer the most.
There is far too much `cotton-woolling' of 'kiddies' in the UK and North America. That is why Americans were so shocked and surprised by the reality of life when they were attacked on 9/11. This was, after all, the kind of brutality which had hitherto only been perpetrated upon American citizens by other American citizens within their own country - think of the black struggle, as just one example!
`Innocent Voices' is a tragic story but can be a tremendous lesson in learning to abhor the hatred and violence meted out by human beings upon each other. It is therefore necessary that children should be exposed to this reality as early as possible and, in my belief, this film should be required viewing by all children of 11 years and up. By all means sit with them and explain what is happening and be ready to console them if they are distressed. But for goodness sake let them see it. In any case, they need to be distressed! This is, after all, what is happening to children of much younger than eleven all over the world still today.
So, ensure that the children understand clearly that the gratuitous violence of El Salvador, (not to mention the sort which comes out of Hollywood all the time), is totally unacceptable and, rightly directed, hopefully they will the sooner become firmly resolved to be a part of a worldwide movement to ensure that these kinds of vicious regimes cannot exist and they will become better adults for it.
The film is indeed brutal in places - but has its lighter moments, the beauty of the countryside, the relationships within the families - and we are left with a feeling of hope at the end of it all. The hope is actually in the plundered innocence of children themselves. By all means let us preserve the beauty of this childhood innocence as long as possible but there is no reason why it should not be `informed innocence'. I recommend this film to all who are repulsed by war of any kind and take hope from its message. And - thank God for movies that are made outside of the Hollywood studio system!
Ray - The Dorian