This is a collection of 12 stories written by Nobel Prize winner Gabriel Garcia Marquez. His most famous works are
One Hundred Years of Solitude,
The Autumn of the Patriarch and
Love in the Time of Cholera (Vintage International). I've read them all, and like so many others, have been enthralled with his style and his sometimes whimsical insights into the human condition. This book is an odd assortment that the publisher yoked together. The last 11 short stories were written when Marquez was between 25 and 30, in the early `50's.
One Hundred Years of Solitude was first published in the late `60's. Only the title story, the length of a novella, was written after his classic work, in the early `70's.
Concerning the 11 stories I call a "warm-up," well, they are just that. Certainly there is evidence of the themes and style that would be honed and polished into his major works. Overall though, they are rough, and two in particular, "Eyes of the Blue Dog" and "Night of the Curlews" should have been "left on the cutting room floor" as they say in the movies. Concerning these, and the others, there are times when the style he is famous for introducing, "magical realism," flips into outright hallucinations, worthy (or more appropriately, unworthy) of William Burroughs. Marquez's sardonic view of the "democratic process," revealed in the electioneering and philandering of Senator Onesimo Sanchez will resonate with many a modern American reader. Death is a theme that is laced through many of these stories, and in particular, dominates "The Third Resignation," which appears to draw inspiration from Kafka's
The Metamorphosis (Dover Thrift). Also in several of his stories, particularly in "Dialogue with the Mirror," he plays with the theme of a person's doppelganger - that eerie "other" who may accompany us. In "Eva is Inside her Cat," as the title might suggest, the author plays with the themes of the surrealistic painters, with insects under the skin causing a woman's beauty, which proves to be an immense burden. The reincarnation of choice is being a cat, but the dying mouse in one's mouth seems to spoil that fantasy. "The Woman who Came at 6'o'clock" involves the classic theme which has also become a cliché, the bartender who falls in love with a woman working in the world's oldest profession.
The title novella is clearly the best, and involves a ruthless grandmother pimping her granddaughter to obtain reparations for the grandmother's house that was burned down due to the carelessness of the granddaughter. Lots of sexual titillation, the proverbial "knight in shining armor," a dash of religion, and a much more refined dose of "magical realism."
Overall though, this book is probably only for hard-core Marquez fans, who have already read his major works. I'll round up to 4-stars, certainly in honor of the 100 years.
(Note: Review first published at Amazon, USA, on September 15, 2010)