I had never heard of this film before i picked it off the shelf, so I had no idea what to expect.
It's based on 'Mine-Haha, or the Physical Education of Young Girls', by a German playwright named Frank Wedekind. The plot revolves around a boarding school for girls roughly aged 5 or 6 up until they hit puberty, in the middle of a dense forest.
As soon as the film starts, it fills the viewer with a sense of foreboding, with a long, flickery opening featuring a child-sized coffin and no music, but a deep, ominous rumbling sound instead. That combined with the next scene, of girls in identical white uniforms opening the coffin to reveal thier new, living, companion, certainly made me expect some kind of sinister nightmare. I, like many other viewers, was concerned that it would turn out to be a film about paedophillia, and I was waiting with bated breath for some true horror to come around the corner.
But actually, there are no monsters or paedophiles, but rather a distinct lack of sexual innuendos. The film really is about innocence. The celebration of young girls in the film would only a few decades ago have seemed totally unremarkable, before such images were so sexualised as they sometimes are nowadays. The subject of developing female sexuality is indeed touched on, especially towards the end, but not in nearly as sinister a manner as one might expect.
The school takes on a life of its own. On the one hand its a child's paradise, where the girls can play and practice dance and gymnastics among the trees and swim in the lake, in between exciting lessons. But it also feels like a prison. It is inescapable, and those who try to escape meet a tragic fate or are never spoken of again. There are many dark elements, including mysterious underground tunnels, and strange sounds which come from beneath the lake. The headmistress takes one blue-ribboned girl a year away from the school, based more on neck length and beauty than dance talent or intelligence.
The imagery is magical and very original, from the lamp-lit trees at night to the ominous red curtain. The cinematography is breathtaking, and gives the film a dreamlike fantasy missing from other films of a similar genre.
Innocence is essentially a film about the magic of young girls and thier own utopian world. It touches on thier emotional and sexual development and the authoritarian structure of the school system, with a sense of anticipation and unease pervading the whole film, reflecting the emotions of a young girl going into puberty, with a suprisingly optimistic ending.
I, for one, absoloutely loved it.