This 2012 reissue must be the third or fourth CD incarnation of this, the Chocolate Watch Band's second album -- not bad for a record that, so it seems, was barely ever known outside of the band's hometown area back in early 1968 (and original Tower label vinyl on this album in nice shape used to go for $75 to $100 in the early 1980s). And it's worth picking up for A) the usual superior Sundazed sound, and B) the very thorough and, indeed, bracing annotation by Jud Cost, which gives as good an account of the group's history (as seen from the inside) as any that's ever been written. Sad to say, however, the one flaw in the release is the annotation -- while covering the group's history is important, beyond any question, not one single word is said about the confused history of this album, or the fact that, as near as one can make out, at least three different bands (only one of them the Watch Band) are actually on the album; apparently, producer Ed Cobb didn't let the break-up of the band's classic lineup prior to the recording stop him from delivering an album, and employed an outfit called the Yo-Yoz on some of the filler tracks, augmented by other musicians, and with Don Bennett taking the vocals where necessary, in lieu of the Watch Band's legendary David Aguilar (one of the group departees). It would have been a good idea to try and weave at least a little bit of those credits and identities together, especially as one of the better "non-Watch Band" tracks, "In the Past" (a cover of a We The People recording, authored by Wayne Proctor, that's actually better than the original) sticks out pretty prominently along with the group's actual recordings.
All of that said, this is one great 27 minute body of music, and precisely who is playing what isn't really as important as it sounds from that complaint, except to the Watch Band members and their devotees. One can really embrace this album in two different (but equally satisfying) ways, as a showcase for some of the Watch Band's best sides surrounded by some filler, or as an overall spaced-out, psychedelic/punk experience. Or you can grab onto it both ways simultaneously. But however you do it, it is worth embracing, and this is a most worthwhile -- if not perfect -- re-release.