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Infinite Music: Imagining the Next Millennium of Human Music-Making
 
 

Infinite Music: Imagining the Next Millennium of Human Music-Making [Kindle Edition]

Adam Harper
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Review

Infinite Music is a super clear, open-ended philosophy of sound and music for the post-rave generation. Essential reading for sonic modernists everywhere. --(Cristian Vogel)

A timely analysis of musical evolution at a moment when many practitioners have become fixated on the past and thinkers have found themselves unable to locate possible futures. --(Steve Goodman, author of Sonic Warfare: Sound, Affect, and the Ecology of Fear)

Product Description

In the last few decades, new technologies have brought composers and listeners to the brink of an era of limitless musical possibility. They stand before a vast ocean of creative potential, in which any sounds imaginable can be synthesised and pieced together into radical new styles and forms of music-making. But are musicians taking advantage of this potential? How could we go about creating and listening to new music, and why should we? Bringing the ideas of twentieth-century avant-garde composers Arnold Schoenberg and John Cage to their ultimate conclusion, Infinite Music proposes a system for imagining music based on its capacity for variation, redefining musical modernism and music itself in the process. It reveals the restrictive categories traditionally imposed on music-making, replaces them with a new vocabulary and offers new approaches to organising musical creativity. By detailing not just how music is composed but crucially how it's perceived, Infinite Music maps the future of music and the many paths towards it.


Product details

  • Format: Kindle Edition
  • File Size: 360 KB
  • Print Length: 235 pages
  • Page Numbers Source ISBN: 1846949246
  • Publisher: John Hunt Publishing; Reprint edition (16 Nov 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B00652HYE2
  • Text-to-Speech: Enabled
  • X-Ray: Not Enabled
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: #127,163 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
5.0 out of 5 stars guide to music space & dequantization tactics 23 Feb 2013
By rimbo
Format:Paperback
Exciting beginnings of a conceptual framework that might shine light on structural functions throughout the infinite territories of "musicking"-- music as it's played, rather than as a fixed/discrete object. This is a theory of Music Space-- all possible music-- and its subsets, music spaces, which might be: instruments, works, styles, -- maybe all of these things simultaneously ('alien genres'? great speculative chapter on these near the end). Formal musical models ringing with a kind of vitality once again (this is nothing if not a book of beautifully imagined musics)-- a new process music, a theory of objects and variability across all scales, a theory of movement, tactics of 'dequantization' woven throughout.

A new object-oriented formalism, a kind of serialism for our times-- a connection made explicit in the introduction, recalling the early 20th century's own theory of variability which opened new spaces, which said "yes" to the affective forces of all twelve equal-tempered tones and their combinations-- with Harper's ontology, a new "YES" to all the materials that we have at our disposal, all objects, all spaces. Infinite Music reads as a proud inheritor of Modernist ideals, a kind of response to the helplessness of 'retromania' that Simon Reynolds and others have identified in recent years. Is pop culture obsessed with its own past? Dequantize it!

The language can be a bit dry if you're not prepared for it. The imagined musics here are revealed as architectural constructions rather than poetic flows-- for the most part, it's our own imaginary drifts through the spaces that fill them in with "content", the book merely setting the stage. Remember, though, it's about "Music Space" & its territories/structures-- the stage/space itself (in motion) is the subject.
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1 of 2 people found the following review helpful
1.0 out of 5 stars great idea, disappointing execution 15 Feb 2013
By David X
Format:Kindle Edition|Amazon Verified Purchase
Read this after directly after reading David Byrne's excellent How Music Works and was extremely let down. Infinite Music has a fantastic premise but is somewhat lacking in ideas, momentum, and energy.
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It’s a relation between old and new, and any given moment of modernist music will present a mixture of what can be appreciable to a given audience to any extent as either old or new. &quote;
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