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Infinite Music: Imagining the Next Millennium of Human Music-Making
 
 

Infinite Music: Imagining the Next Millennium of Human Music-Making [Kindle Edition]

Adam Harper

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Review

Infinite Music is a super clear, open-ended philosophy of sound and music for the post-rave generation. Essential reading for sonic modernists everywhere. --(Cristian Vogel)

A timely analysis of musical evolution at a moment when many practitioners have become fixated on the past and thinkers have found themselves unable to locate possible futures. --(Steve Goodman, author of Sonic Warfare: Sound, Affect, and the Ecology of Fear)

Product Description

In the last few decades, new technologies have brought composers and listeners to the brink of an era of limitless musical possibility. They stand before a vast ocean of creative potential, in which any sounds imaginable can be synthesised and pieced together into radical new styles and forms of music-making. But are musicians taking advantage of this potential? How could we go about creating and listening to new music, and why should we? Bringing the ideas of twentieth-century avant-garde composers Arnold Schoenberg and John Cage to their ultimate conclusion, Infinite Music proposes a system for imagining music based on its capacity for variation, redefining musical modernism and music itself in the process. It reveals the restrictive categories traditionally imposed on music-making, replaces them with a new vocabulary and offers new approaches to organising musical creativity. By detailing not just how music is composed but crucially how it's perceived, Infinite Music maps the future of music and the many paths towards it.


Product details

  • Format: Kindle Edition
  • File Size: 358 KB
  • Print Length: 235 pages
  • Page Numbers Source ISBN: 1846949246
  • Publisher: O-Books (16 Nov 2011)
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B00652HYE2
  • Text-to-Speech: Enabled
  • Amazon Bestsellers Rank: #170,185 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Its a relation between old and new, and any given moment of modernist music will present a mixture of what can be appreciable to a given audience to any extent as either old or new. &quote;
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