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Infiniment (2 disk)
 
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Infiniment (2 disk)

11 Feb 2014 | Format: MP3

£11.49 (VAT included if applicable)
Buy the CD album for £19.09 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
2:36
30
2
4:46
30
3
4:02
30
4
3:38
30
5
2:57
30
6
3:07
30
7
3:52
30
8
4:19
30
9
4:37
30
10
3:13
30
11
4:44
30
12
2:32
30
13
2:41
30
14
5:37
30
15
4:04
30
16
3:23
30
17
3:49
30
18
4:24
30
19
4:27
30
20
4:10
Disc 2
30
1
3:18
30
2
3:11
30
3
2:58
30
4
2:25
30
5
2:22
30
6
2:52
30
7
4:39
30
8
3:30
30
9
2:35
30
10
2:52
30
11
3:35
30
12
2:35
30
13
2:43
30
14
2:39
30
15
2:41
30
16
3:06
30
17
3:05
30
18
3:05
30
19
3:26
30
20
4:08

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Product details

  • Original Release Date: 29 Sep 2003
  • Release Date: 29 Sep 2003
  • Number of Discs: 2
  • Label: UMC (Universal Music Catalogue)
  • Copyright: (C) 2003 Barclay
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 2:18:43
  • Genres:
  • ASIN: B003UNP7UM
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Bestsellers Rank: 7,896 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.9 out of 5 stars
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Most Helpful Customer Reviews

53 of 53 people found the following review helpful By Jonathan James Romley on 27 Feb 2008
Format: Audio CD
Jacques Brel remains an integral and hugely influential singer/songwriter in the scheme of twentieth-century music; with his gloomy and orchestral tales of whores, sailors, tramps and harlots influencing everyone from Scott Walker, Leonard Cohen, Tom Waits, Shane MacGowan and Nick Cave, to bands like Jack, the Divine Comedy and Pulp. Like those acts, Brel's music is literate and theatrical, unfolding in a bleak world populated by lost love, loneliness, angst, melancholy and despair, but with the darkness softened by witty arrangements, satirical motifs and moments of dark comedy. The atmosphere of the songs is rich and evocative throughout... so, like the work of his contemporary Serge Gainsbourg; the songs practically reek of cheap booze and cigarette smoke, with the music occupying a special place upon the stage within the low-rent night club scenario that play out inside our minds.

The forty tracks collected here represent Brel at his best, offering a great introduction for those previously unfamiliar with his work. Although it is true that there probably could have been a third disk included, with some of Brel's equally great (but lesser known) songs missing from this collection, the real point of this set is to introduce Brel's music to a new audience, or to act as a definitive collection of hits for those of us who can't afford the epic Jacques Brel box-set released a few years before this. If you're at all interested in European music, theatrical-decadence, grand orchestration and a genuine outpouring of pure emotion through song, or perhaps if you're already familiar with Brel through the references to him from subsequent artists like Scott Walker, Neil Hannon, Nick Cave and Jarvis Cocker, then this really is a must-have purchase.
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128 of 129 people found the following review helpful By Merilahti Kristiina on 20 Nov 2003
Format: Audio CD
Ok, this is another collection of Brel's music, on double-CD there are 40 tracks and most of them are very clear choices: 'Ne me quitte pas', 'Jacky', 'Les bonbons' 'Chanson des vieux amants', 'Amsterdam', 'Les bourgeois' and so on. But everything has been remastered for a clearer sound and obviously there is an attempt to cover the whole career, with early songs like 'Le diable' to the last album - and with five songs that were intended "for the next album" as Brel decided - and died before being able to make it. Of these 'L'amour est mort' is the most impressive one, with extremely cold piano sounds and Brel's passionate, coarse voice. The leaflet contains the words for these five songs, others have been published earlier in other collections. Or if you want all the lyrics, try to find 'Tout Brel', everything he wrote in one book.
How necessary is this after all the collections? Very. Not only because of the newly found records but because even the oldest songs sound better than on older CD's. However, I still wonder why 50's songs are so poorly presented in this and other collections, after all 'Seul', 'La mort', 'La tendresse' and 'La colombe' from the end of the 50's are all powerful songs and bring out Brel's themes clearly, and from the earlier years there are lots of interesting songs, like beautiful 'Sur la place'. All of these are missing from this collection, which follows the very mainstream 'best of Brel'-tradition. Still, Brel family has done a good job, when finally releasing the previously unedited songs, so I simply can't give less than five stars and would like to give more.
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12 of 12 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 8 Mar 2009
Format: Audio CD Verified Purchase
Mr Brel was no ordinary singer / songwriter. We know this to be true.

A maverick. A vocal dramatist. A musical painter of some of the most
luminescent and some of the darkest songs ever imagined.

A troubadour of the soul.

The compositions are both deeply affecting at an an emotional level,
without ever sinking into bathos, yet also wholly satisfying intellectually.

This collection is a welcome addition to the history of his existing recordings.

The heart and soul of the album can be found between tracks 2 - 10
recorded in 1977, just one year away from his death from lung cancer.

The intense chiaroscuro of these nine songs, despite Brel operating with
only one lung, is an extraordinary testimony to his bravery and artistry.

The vivid sonic reconstructions place the voice forward and stage centre.
Almost too much so. His presence is unnervingly close.
A man and his music facing down death with his spirit ablaze.

The dour accordian introduction to 'La Cathedrale' presages a performance of such
tremendous dramatic power that the hairs on the back of my neck stood to attention.

'L'Amour Est Mort', with it's mercurially elusive melody, is equally chilling.
A deeply impassioned cris de coeur which never loses focus for a moment.

'Mai 40' sounds like a man dancing by his own open grave in an act of defiant jollity.

'Avec Elegance', with it's simple echoing piano accompaniment, is an elegant gem.

With 'Sans Exigences' we are drawn into a cold, dark and terrible place.
The subtle and haunting organ and harpsichord arrangement bring an almost
hymn-like quality to the performance but there is no god here to console us.
Read more ›
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