Rating: 7.5/10
Best tracks: "Happy Hunting Ground", "Without Using Hands", "Hospitality on Parade", "The Lady is Lingering"
Before a comfort zone could even be designated, Sparks had already left it; it would have been easy (and commercially viable) to follow Kimono my House and Propaganda with another album of the same, but the Maels explore new territory with Indiscreet, most notably in the form of the two singles - "Get in the Swing" is a boisterous big-band sing-a-long, while "Looks, Looks, Looks" sounds as though it was made several decades earlier with its 1930's feel. Strange choices for singles, especially when the likes of "Happy Hunting Ground" and the exciting "How are You Getting Home?" are much more typical Sparks material. Good on the band for taking risks, even if "Looks, Looks, Looks" is more successful as pastiche rather than a great song. Some other songs follow the same suit; they're fantastically admirable in evoking other periods or in the way they embrace off-kilter genres, but as songs, they're not as quite top-drawer. A song like the French-flavoured "Under the Table with Her" gives off the same pastiche vibe, as does the slight "It Ain't 1918". Good, but not great songs.
Still, there's plenty here to savour; the first three songs in particular are stellar - "Hospitality on Parade" builds and builds to a fantastically crunching beat, "Happy Hunting Ground" is utterly thrilling, from its siren-call intro to its unstoppable chorus. "Without Using Hands" is beautifully odd and strange. Other gems include the slinky "The Lady is Lingering", which could almost be a James Bond theme, the short but spectacular "In the Future" with its high-pitched, delirious chorus, the drowsy ode to alcohol that is "Tits". A sprawling, ambitious album, not entirely successful, but always entertaining.