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  • Double Indemnity [Masters of Cinema] (Ltd Edition Blu-ray Steelbook) [1944]
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Double Indemnity [Masters of Cinema] (Ltd Edition Blu-ray Steelbook) [1944]


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Frequently Bought Together

Double Indemnity [Masters of Cinema] (Ltd Edition Blu-ray Steelbook) [1944] + The Lost Weekend [Masters of Cinema] (Ltd Edition Blu-ray Steelbook) [1945] + Lifeboat [Masters of Cinema] (Ltd Edition Dual Format Steelbook) [Blu-ray] [1944]
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Product details

  • Directors: Billy WILDER
  • Format: Limited Edition, Widescreen
  • Subtitles For The Hearing Impaired: English
  • Region: Region B/2 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: PG
  • Studio: Eureka Entertainment Ltd
  • DVD Release Date: 25 Jun. 2012
  • Run Time: 107 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (107 customer reviews)
  • ASIN: B007196V1K
  • Amazon Bestsellers Rank: 26,964 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

SYNOPSIS:

"That's a honey of an anklet you're wearing, Mrs. Dietrichson."

Double Indemnity is the dazzling, quintessential film noir whose enormous popular success and seven Oscar nominations catapulted Billy Wilder (Some Like It Hot, Sunset Boulevard, The Apartment) into the very top tier of Hollywood's writer-directors. Adapted from a novella by James M. Cain (The Postman Always Rings Twice), co-written by Wilder and Raymond Chandler (The Big Sleep, The Long Goodbye), Double Indemnity remains the hardest-boiled of delectations.

Insurance hawker Walter Neff (Fred MacMurray) gets seduced by some other man's wife: a bored, sex-starved Barbara Stanwyck done up in lorry-grille wig and a pair of lips like wine grapes smashed in candle-wax. She wants to off her better half and collect on his policy, but spitfire claims-adjuster Barton Keyes (Edward G. Robinson) smells a rat or at least the cheap perfume all over that Dietrichson file.

Neff himself ties up the twisting plot in a neat bow: "We were talking about automobile insurance, only you were thinking about murder. And I was thinking about that anklet."

"Nominated for seven Oscars at the 1945 Academy Awards: Best Picture, Best Director (Billy Wilder), Best Actress (Barbara Stanwyck), Best Screenplay (Wilder and Raymond Chandler), Best Cinematography (John F. Seitz), Best Score (Miklós Rózsa), Best Sound Recording (Loren Ryder). The Masters of Cinema Series is proud to present Billy Wilder's Double Indemnity for the first time anywhere in the world on Blu-ray, in a standard edition and a limited edition steelbook.

SPECIAL BLU-RAY FEATURES:
  • Exclusive new high-definition restoration, officially licensed from Universal Pictures
  • Optional English subtitles for the deaf and hearing-impaired
  • 1950 Lux Radio Theater adaptation starring Fred MacMurray and Barbara Stanwyck
  • The original theatrical trailer
  • PLUS: A 36-page booklet featuring rare articles, images, and more!


REVIEWS: "Since Double Indemnity, the two most important words in motion pictures are 'Billy' and 'Wilder'." Alfred Hitchcock "Double Indemnity is the finest picture of its kind ever made, and I make that flat statement without any fear of getting indigestion later from eating my words." Louella Parsons

From Amazon.co.uk

Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown --This text refers to the DVD edition.

Customer Reviews

4.6 out of 5 stars

Most Helpful Customer Reviews

41 of 44 people found the following review helpful By Mr. E. A. Dobson on 21 Aug. 2005
Format: DVD
I`ve been waiting for this classic to be released ever since i bought a dvd player! Billy wilder has to be one of cinema`s finest director`s ever,it`s hard to pick his best work what with sunset boulevard,some like it hot & ace in the hole (hopefully the next in line for a dvd release) among others but if someone put a gun to my head i`d have to say double indemnity.Being a big fan of old movies & in particular film noir this one is simply perfect,great script(co-scripted by Raymond chandler himself),superb acting from the three leads & great cinematography.If your into old movies & film noir trust me you need to see this,even if there are no extras.
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70 of 76 people found the following review helpful By Jeff Markham on 2 April 2006
Format: DVD
Along with Tourneur's OUT OF THE PAST (1947), Billy Wilder's DOUBLE INDEMNITY is the definitive film noir, a masterpiece that rewards countless viewings and proved hugely influential. Virtually remade as BODY HEAT in 1981, and the inspiration for any number of sweaty, neo-noir pale imitations, this brilliant film remains the real deal and unsurpassed.
Wilder's fractious collaboration with the great Raymond Chandler produced a wonderful screenplay, dripping with sharp dialogue and fatalistic symbolism, whilst the performances of the three leads - FRED MacMURRAY, BARBARA STANWYCK and EDWARD G ROBINSON - are faultless and represent their finest screenwork. Stanwyck's marvellously cold, cyncial and manipulative femme fatale remains the template for all that followed and her tart as a lemon dialogue exchanges with MacMurray's bluff, self-confident Insurance Claims Investigator are amongst the greatest in any film.
To add to these elements JOHN F. SEITZ, one of film noir's finest cameramen, creates visual poetry from the sunlight streaming through Californian windows and shadows of forboding during the beautifully staged murder sequence.
Come to think of it, this isn't just one of the greatest film noirs ever made, it's simply one of the greatest films ever made, period. If you haven't seen it, buy it now, if you had it on VHS from a long ago TV screening, still buy it as this print is excellent and probably the best available, although there's a disappointing lack of extras on the DVD.
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1 of 1 people found the following review helpful By schumann_bg TOP 50 REVIEWER on 23 Jan. 2015
Format: DVD
Double Indemnity is a dark film that grips the viewer like ebony around a screw. Fred MacMurray and Barbara Stanwyck make a fantastic noir duo, and the lines, particularly Stanwyck's, are delivered with a cool swagger and devastating sense of style. One of the things that makes it fascinating is the way you sense her to be something other than the role, yet by sheer skill she makes it fit like a kid glove. MacMurray is the perfect foil, being also distanced by the fact of narrating the film from a point where circumstances have obviously changed from what we see, and we know that he gets neither the money nor the girl more or less from the start. This doesn't make the distance covered any less absorbing in this tale of murder for the double insurance claim of the title. Billy Wilder's touch is evident in the intelligence of tone, also no doubt present because of Raymond Chandler whose reputation in this material is unparalleled (taken from a novella by James M. Cain), but it is probably Wilder who gives it a world-weariness that somehow cuts deeper than genre. He convinces you of the value of cinema as the ideal medium in which to reflect on the darker side of life with enough irony to leaven the effect. It is a beguiling picture of seamy morals and stooping low out of passion. Edward G. Robinson is also memorable, down-to-earth, and anchors the film, like a souped up mini gaining ground on a smooth-running Pontiac that simply can't get up the speed. His rumbling the truth in all but one vital detail is a bit like the later Stanwyck/MacMurray film, There's Always Tomorrow (made in 1956, 12 years after this one), where MacMurray's son stalks them with an equally partial view, to the point where he catches up with them ...Read more ›
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1 of 1 people found the following review helpful By Susman TOP 100 REVIEWERVINE VOICE on 30 July 2014
Format: Blu-ray
A film based on book by James M. Cain's 1943 novelette of the same name. The book was loosely based on real life events in Queens New York in the 1920s. A crime that was perpetrated by an Ms Ruth Snyder, who cajoled her reluctant boyfriend, Judd Gray, to kill her husband Albert after having him take out a big insurance policy - with a double-indemnity clause. They were both eventually found out and put on the electric chair.

Billy Wilder and Raymond Chandler as screenwriters and Wilder as director took their vision from the page to the screen. The cinematography of John F. Seitz is truly his `signature statement' in this film, with his background from the days of silent film, and film making roots in 1920s Berlin. His studied arrangement of light and shadows especially the use of "venetian blind" lighting, with the Walter Neff character would become a staple of the film noir look.

A film that has been much studied and analysed, and the stock-in-trade piece of any decent film course. That said, this film tells an engrossing narrative that was shaped, in part, by the confines of its time and by the Motion Picture Production Code. A code better known as the Hay's Code that were a set of industry moral censorship guidelines that governed the production of most United States motion pictures from the 1930s through to the 1960s. Then of course there are the three principle actors whose chemistry and interaction also made the film the classic that is. From the get go the role of Phyllis Dietrichson was Barbara Stanwyck - although hesitant at first, her appearance and acting gave the film it's sultry femme fatale who is able to bend Neff's character to her will. Fred MacMurray as Walter Neff was not the first choice for role by mile.
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