While it is true that this release is a CDR, those interested in the music and not the ingredients of the disc upon which it is burned or pressed will be very pleased with this soundtrack, which comes accompanied with a professionally printed tray label and booklet - and smashingly grand sound. Released by Marvel, it's as official a soundtrack as we're apt to get - and certainly as complete a one, with almost two hours of music (111.15 mins). How many other film scores get as much music made available coincidental with the film's release? Armstrong's main theme is terrific, with its repeated, pronounced X-strokes of violin, and his 3-note Hulk motif, itself a kind of swervy reflection of that main theme transposed to a sinewy violin figure wrapped in thick cords, entwining around and through the orchestra, embodying the growling tonality of the verdant beast's voice in those deep and substantial cello strains, echoed by a much higher reflective glinting of violins, all propelled by a driving pulse of strings and snarling horns. The score draws its relentless forward motion from these strokes of violins, driven by a recurring, low string ostinato. It's large and quick and powerful - an adroit embodiment of the green guy himself. Joe Harnell's poignant piano theme, "The Lonely Man," from the 1979 Incredible Hulk TV series, is nicely incorporated into the track "Bruce Goes Home." It's one of many affectionate nods to that influential show included in the new movie. The reawakened romance between Banner and Betty Ross (Liv Tyler) is characterized by a melancholy love theme, poignant strings and piano. I've found The Incredible Hulk to be a richly energetic and powerful orchestral score with effective electronic nuances built into its textures. Armstrong provides music that is both sensitive to the story's underlying drama and sustaining of the film's action set pieces. Hulk is melodically rich, provocatively vigorous, and thematically compelling, and is definitely one of the best scores of the year thus far.