The quality of Vic's songwriting always assured that, despite a somewhat tinny sound to the original album release, T.R.O.U.B.L.E. remained a diamond in the rough of that bargain-basement decade - the eighties - just crying out to be dusted and polished. This was Vic's third studio album, following, in full swing, the now seemingly lost 'Songs For Sale', the album was in many ways a retreading of the musical grounds and themes of Vic's true masterpiece: 'What's The Matter, Boy?' In fact, the chorus of 'The Devil's In League With You' asks its tortured protagonist the selfsame question. Elsewhere, the cocktail-lounge ivory-tinkling of the profound 'Chainsmoking' belies the songs previous life as a full-on punk belter on the collection of singles and session tracks that was the Subway Sect 'Retrospective' released just prior to this album. What's more, 'Out Of Touch/View', from the first album, is resurrected here as a proto-sixties beat instrumental, like John Barry producing The Tornadoes (perhaps he did!). There is also a bossa-nova update of 'Stop That Girl', which perfectly suits the flavour of the day, but neither adds nor subtracts anything new from the brilliant original. However, the absolutely essential tracks here are the two Vic originals 'Tidal Wave' and 'Ice On A Volcano' and his incomparable take on Noel Coward's 'Twentieth Century Blues'. Pure heaven and all the evidence you need to realise how undervalued Godard really is, and where his place in the starry pantheon really ought to be assured. Even the frothy, almost throwaway, tracks like 'Holiday Hymn' and 'Nice On The Ice' are delivered with great panache. And a big thank you to the engineers who have discovered a funky guitar bubbling beneath the prescient 'I'm Gonna Write A Musical'. A great, essential British maverick classic: own it!