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Burke is brilliant on these men and their inability to trust each other; he is less good at thinking himself into the heads of the book's real villains, the men in suits who find and hire killers and despoil the land. It seems odd to complain of this in a book so full of shootings and torture and desperate flights across wild country--but some of the scenes in which sinister corporations damage lives with a stroke of the pen are melodramatic in a way that is not always worthy of a writer as sensitive to nuance as Burke. --Roz Kaveney
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Billy Bob Holland is living in Montana now and trying to solve problems through the law rather than with his gun as he often did as a Texas Ranger. He finds himself helping out those who are underdogs, and naturally cannot refuse Johnny American Horse, a Native American whose forebearers include Crazy Horse. Johnny hears voices, sees visions and has a continuing connection into the spiritual world. He's very brave, trusting and a hard worker. Johnny has also attracted the affections of Amber Finley, the beautiful, brilliant and reckless daughter of a U.S. senator. Soon, hit men are trying to kill Johnny, the senator is trying to stop a possible marriage and half of the police force is out to find Johnny.
Against this backdrop, Billy Bob finds it more than distracting when a procedural error in his trial means that his arch enemy, Wyatt Dixon, is released from prison and wants to develop a close and personal relationship with Billy Bob and his wife, Temple, whom Wyatt helped bury alive in the last novel. Wyatt claims to have found the Lord and wants to do the right thing. He also swigs an evil-smelling potion that's supposed to help him behave.
At the same time, there's a break-in at a local company that does agricultural research . . . and someone wants what has been taken back in the worst way.
Billy Bob finds himself fighting for his very soul as well as the safety of his family. What is the right thing to do?
Others in the story find themselves facing the same question, including Johnny, Amber, a local police detective (Darrel McComb), Seth Masterson (an FBI agent) and Johnny's friends. Each of their answers differs and their lives are profoundly affected as a result.
The evil doers are a pretty nasty bunch. You will enjoy hating them.
Those who are troubled by the danger to individual freedom from the Patriot Act will enjoy how the book develops.
The book has two flaws that it did not quite recover from. First, the beginning . . . although filled with dynamite scenes . . . seems to wander aimlessly. Be patient. The story eventually gels and becomes quite interesting to follow. Second, if a convicted felon has the conviction overturned for a procedural error, the state can retry that felon. Since the error in Wyatt Dixon's trial was peripheral to the case, any prosecutor would have retried the case. Why didn't this happen in the story? No explanation is given.
The book ends on an interesting note as the results of uncovering the wrongs have unexpected consequences. Should we do the right thing because good consequences . . . or because we should do the right thing? Mr. Burke makes that answer painfully clear in the ending.
In the Moon of Red Ponies, however, launches Burke back to the very top of crime writing. It is taut and well-plotted, and it beautifully evokes the Montana scenery. Best of all, the characters are ambiguous. They lack the black-and-white shadings of self-righteous zeal or unalloyed evil that had come to typify Burke's books.
Billy Bob Holland is continually wrong-footed by the actions of his psycopathic nemesis Wyatt Dixon, who claims to have undergone a spiritual rebirth while in jail; and he finds himself unable to predict the behaviour of a local cop who blames the unravelling of his life on a troubled Native American named Johnny American Horse. Horse - a descendant of Crazy Horse - is in a relationship with the daughter of a US Senator, and so already on a collision course with the establishment; he then blunders into deeper and deeper trouble, and finds that he has added a powerful global corporation to his list of enemies.
Holland's sleepy backwood town in Montana suddenly finds itself attracting contract killers and even the FBI, and the body count soon starts to rise. Holland's dilemma is whether he should follow his habit and deal swift and violent justice, or whether he dare put his trust in the better side of the flawed and complex characters that have invaded his world.
This is a satisfying book and a compelling read. Burke is so much better than any other crime write alive that it's a mistake to bracket him in this category at all. And even by his own high standards, this book marks his return to top form.
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