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In The City
 
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In The City

4 Aug 1997 | Format: MP3

8.49 (VAT included if applicable)
Buy the CD album for 7.99 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
1
2:01
2
3:30
3
2:37
4
2:06
5
4:01
6
1:29
7
2:17
8
3:13
9
2:26
10
3:09
11
2:14
12
2:37

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Product details

  • Label: Polydor Ltd.
  • Copyright: (C) 1997 Polydor Ltd. (UK)
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 31:40
  • Genres:
  • ASIN: B001KUW9I0
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: 35,951 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

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5 of 5 people found the following review helpful By Nostromo on 6 Aug 2009
Format: Audio CD
As debut albums go and released at the time it was, it's hard to imagine how this one could be any better. 1977 was a period of conflicting musical styles. The impact of the 60s goliaths The Beatles and The Who could still be felt, there was the arrival of disco and the explosion of punk. This album is a great reflection of these uncertain musical times.

To hear the songs, you immediately think of punk. The angry twang of Weller's Rickenbacker and Foxton's pounding bass coupled with the angst in Weller's voice make the band stand out from the meaningless punk mediocrity that was around at the same time. However, a deeper study will reveal much more complexity. How many punk groups sang about wanting to be away from the numbers, non-stop dancing and had songs with love in the title? No, The Jam were, even here at this early stage, so much more than a punk band. Visually the band in their black suits are a throwback to the early Beatles and Who era. Sounds From The Street was Weller's answer to the American beach craze spearheaded by The Beach Boys, Non-Stop Dancing makes reference to James Brown and the soul music which was to influence Weller so much in his career, Slow Down is a Larry Williams Rythym and Blues cover whilst In The City, a title borrowed from The Who's "A Quick One" album and the Batman Theme which again appears on the same Who album clearly show Weller's mod influences. Running through the album however is the beginning of the social concern and urban realism that feature so heavily in The Jam's output and which became a core part of their overall importance.

This is a raw and powerful sound and lacks the refinement of the band's output from All Mod Cons but The Jam announced their arrival with full power and force with this debut and the multi layerd 18 year old lead singer sows the seeds for what was to come later. Brilliant stuff!!
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4 of 4 people found the following review helpful By A Customer on 26 Jan 2002
Format: Audio CD
if you are young and into todays punk bands, then you will like this album. I bought this when it came out, and its still good now. Musically its probably not The Jams best, but it has that immediacy of youth, that Weller had in abundance in his early work. It pays homage to the who, motown, put into a 1977 woking punk scene. You can tell even at this stage that weller was going to have a long and outstanding career. 'In the city' was the opening single for the band, and it got a lot of people to buy the album. If you've heard 'in the city' and like it, then buy it to.
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1 of 1 people found the following review helpful By Scott Fraser on 23 July 2013
Format: Audio CD Verified Purchase
This is my second copy of this cd as my first one died! A great amalgamation of punk/power pop and rocking soul dance tunes. The youthful energy is amazing as were the band live (I saw them on the All Mod Cons, Setting Sons tours). Whilst Weller would go on to write better songs in The Jam - as a period in time this is my favourite Weller moment.
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5 of 6 people found the following review helpful By Mr. C. W. Smith VINE VOICE on 3 Oct 2003
Format: Audio CD
In The City was the Woking boys powerful angst ridden opening shot and was seen by many as the LP that jump started the Mod revival in the UK.
Weller's emotive political lyrics were yet to fully take form but there are flashes of what was to come in the songs 'In The City' and the pithy 'Bricks and Mortar'
The Jam's music at this time owed a lot to the harmonies of Motown, the energy of the early Who and the anger of the current Punk scene.
Along with 'Bricks & Mortar', and 'In The City' the powerfully assured 'Art School' and the venomous 'I've changed my address' are the best tracks although the energetic cover of 'Slow Down' and the poignant 'Away From The Numbers' are also worthy of mention.
This was a stunning debut and a rallying flag for the coming Mod revival.
Vital Stuff
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By Keith M TOP 500 REVIEWER on 15 Dec 2013
Format: Audio CD
'The Jam, what sort of ridiculous name is that?' - these were the words (or something similar) with which I remember greeting my schoolmate after he'd returned from a 1977 gig at London's Marquee to see France's Little Bob Story supported by Weller's boys (no doubt, something of a hybrid of Townshend's mob and The Marmalade?). Listening again to this magnificent debut album from that same year (on which I can certainly hear Townshend's influence on Weller's guitar - not so sure about a discernible 'Wilko Johnson influence' though) it stick packs a major punch and (in my book) stands up well against anything Woking's finest did thereafter.

One thing that surprised me (either I'd forgotten or never read the lyrics in the first place!) was just how 'political' Weller's lyrics are (at times) here. Of course, Weller (as he later admitted) was rather 'mixed-up' in his political thinking at this point (stating, perhaps in jest, he would be voting Tory at the 'next election' and then writing Eton Rifles two years later!), but on the brilliant Time For Truth he rails against (admittedly Labour-led) authority ('You're just another red balloon with a lot of hot gas'), whilst Bricks And Mortar takes up the cause of the homeless. Boredom with Surrey suburbia is (of course) to the fore on the pulsating album title song and its soulful counterpart Sounds From The Street, whilst Weller is in more perceptive, thoughtful territory (the transitoriness of relationships) on each of I've Changed My Address and the innovative, soul-infused little gem, I Got By In Time.
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