Review
A vivid and unforgettable voice . . . incredibly moving (The Times )
Unputdownable (Daily Mail )
Gripping . . . beautifully subtle (New York Times )
Both violent and subtle, unexpectedly reminding me of The Wire. Characters, settings, and the half-believed Haitian vodou religion are handled with patience and complexity . . . A serious, nuanced, challenging novel. Trust me, there are plenty of young readers who hunger for exactly that (Patrick Ness, Guardian )
Remarkable . . . Lake's elegant, restrained prose and distinct characters will reward adults and older teenagers able to brave a story with strong language, harrowing scenes of brutality and an almost painful stab of joy at the end (Wall Street Journal )
Unputdownable (Daily Mail )
Gripping . . . beautifully subtle (New York Times )
Both violent and subtle, unexpectedly reminding me of The Wire. Characters, settings, and the half-believed Haitian vodou religion are handled with patience and complexity . . . A serious, nuanced, challenging novel. Trust me, there are plenty of young readers who hunger for exactly that (Patrick Ness, Guardian )
Remarkable . . . Lake's elegant, restrained prose and distinct characters will reward adults and older teenagers able to brave a story with strong language, harrowing scenes of brutality and an almost painful stab of joy at the end (Wall Street Journal )
Review
A vivid and unforgettable voice ... incredibly moving The Times Unputdownable Daily Mail Gripping ... beautifully subtle New York Times Both violent and subtle, unexpectedly reminding me of The Wire. Characters, settings, and the half-believed Haitian vodou religion are handled with patience and complexity ... A serious, nuanced, challenging novel. Trust me, there are plenty of young readers who hunger for exactly that Patrick Ness, Guardian Remarkable ... Lake's elegant, restrained prose and distinct characters will reward adults and older teenagers able to brave a story with strong language, harrowing scenes of brutality and an almost painful stab of joy at the end Wall Street Journal
