In the City
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Review
'A dense and colourful account of one of the most vibrant musical centres in the world'
--Guardian
'The first book properly to anatomise the popular music of our capital is a mighty achievement - and a cracking read ... An engrossing story, beautifully told' --The Sunday Times - Music Book of the Year
'(An) exhilarating new history of the music that defines the capital' --Evening Standard
'Du Noyer digs impressively deep for insight ... it evokes London as a place of converged cultures, found sounds and infinite possibilities'
--Metro --This text refers to the Hardcover edition.
--Guardian
'The first book properly to anatomise the popular music of our capital is a mighty achievement - and a cracking read ... An engrossing story, beautifully told' --The Sunday Times - Music Book of the Year
'(An) exhilarating new history of the music that defines the capital' --Evening Standard
'Du Noyer digs impressively deep for insight ... it evokes London as a place of converged cultures, found sounds and infinite possibilities'
--Metro --This text refers to the Hardcover edition.
Book Description
Paperback edition of the definitive book on London music by the widely-acclaimed music writer
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Customer Reviews
Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Hardcover
Tremendously good book.I enjoyed it for the erudition worn lightly, and for the wit and warmth of the writing. I was drawn into the enthralling story of how London has been the inspiration and home of so many and various music makers. It ranges from the ballad-makers and tavern tunesmiths, through music hall, Noel COward, Mods, and glam rock to
the cheeky Lily Allens and sharptongued Streets of the present day. The author has taken a huge and daunting subject and shaped it beautifully,bringing a wealth of fascinating information about London, and about the talented and peculiar characters who were enthralled, infuriated or overwhelmed by the City, and moved to make music about it.
the cheeky Lily Allens and sharptongued Streets of the present day. The author has taken a huge and daunting subject and shaped it beautifully,bringing a wealth of fascinating information about London, and about the talented and peculiar characters who were enthralled, infuriated or overwhelmed by the City, and moved to make music about it.
2 of 2 people found the following review helpful
Format:Hardcover
London may be the most important city in the history of popular music. Others may no doubt cite Los Angeles or New York but Paul Du Noyer makes a very convincing case for his choice.
In the City has an ambitious reach, covering more than eight centuries of the development of popular music, although it concentrates on the 20th Century. Du Noyer makes interesting linkages; from Elizabethan taverns to Victorian music halls to Ian Dury. A particularly interesting example is the Threepenny Opera from 1720 (itself was based on a folk tradition) which gave use the characters McHeath, Jenny Divers and Suky Tawdry who featured in Mack the Knife performed by the likes of Sinatra and Bobby Darin in Las Vegas.
London appears here as the great big melting pot (aided by being the capital of the largest Empire the world has known) where musical traditions from across the planet met and cross-fertilised; a process which carries on to the present day.
This is an excellent history of the city and its profound effect on popular music. The book does not have the same coherence as Du Noyer's previous work on Liverpool. However, London itself does not have the same coherence. It is a much larger and more complicated metropolis with many different "scenes" active at the same time. The book is packed with interesting anecdotes and insights.
This book should be read by anyone who has an interest in popular music and its origins. I just hope Mr Du Noyer turns his spotlight on New York next.
In the City has an ambitious reach, covering more than eight centuries of the development of popular music, although it concentrates on the 20th Century. Du Noyer makes interesting linkages; from Elizabethan taverns to Victorian music halls to Ian Dury. A particularly interesting example is the Threepenny Opera from 1720 (itself was based on a folk tradition) which gave use the characters McHeath, Jenny Divers and Suky Tawdry who featured in Mack the Knife performed by the likes of Sinatra and Bobby Darin in Las Vegas.
London appears here as the great big melting pot (aided by being the capital of the largest Empire the world has known) where musical traditions from across the planet met and cross-fertilised; a process which carries on to the present day.
This is an excellent history of the city and its profound effect on popular music. The book does not have the same coherence as Du Noyer's previous work on Liverpool. However, London itself does not have the same coherence. It is a much larger and more complicated metropolis with many different "scenes" active at the same time. The book is packed with interesting anecdotes and insights.
This book should be read by anyone who has an interest in popular music and its origins. I just hope Mr Du Noyer turns his spotlight on New York next.
1 of 1 people found the following review helpful
Format:Hardcover
Almost every major city in the world, capital or not, can lay claim to a history of music and song, written or inspired by its' natural beauty and characteristics, and London is no different. `In The City: A Celebration of London Music' by Paul Du Noyer, he traces music from its origins way back in the 12th Century and up to the present day.
Along the way Du Noyer covers numerous genres of music, from the Canterbury tales through Victorian Music to the witty lyrics of Lily Allan in 2008.
Not only does he deal with Londoners, it's also about the artists who came to record here, who dropped by for a visit, so Bob Dylan and The Beatles, to name but two, are as much a part of this city as the Kinks are. It's helpful that the author has had access to many of these artists over the years, and segments from many of his interviews are used throughout to great effect, presenting a wealth of information throughout the 300 pages, that might this book so informative.
Hearing the late Dusty Springfield proclaim "I'm not English...I've got nothing against the English, and I'm glad I was born here. But I'm glad my mother came from Kerry...and I can weep at Riverdance on TV" is just now of the many jewels sprinkled throughout this book.
Ronnie Kray's shotting of a rival gangster while the Walker Brothers played on the jukebox in the Blind Beggar pub in Whitechapel is priceless, with Kray rumoured to have said "the sun ain't gonna shine for him anymore" as he fired the fatal shot.
We learn that `mod' is short for Modernist (not modern), and why `Waterloo Sunset' is many people's favourite London song, as Ray Davies compares it to the classic `Casablanca'.
On the sadder side of London there's the legendary Ewan MacColl (as his daughter Kirsty), both of whom are now deceased and the legendary Marc Bolan, and the tragic end to his life in London. As Mickey Finn says "He was a big part of many people's lives. He would have been in his glory today. He probably is".
His friend David Bowie also loved London. "I've lived in London and been brought up here and find it's a great subject to write songs about" he states. We also find out where the name Ziggy Stardust came from.
As the music of London moves further into the 70s, there's David Essex, The Sparks, Kate Bush, Queen and Dire Straits to name but a few. Then there's the brilliant `Up the Junction' by Squeeze which takes us to Clapham, and Du Noyer reminds us that this song was a `hit record', without having a chorus.
As we enter the 80s a new legion of musicians appears. Spandau Ballet, Wham! Pet Shop Boys, and Culture Club, the latter consisting of lead singer Boy George, who spent most of his youth hanging outside David Bowie's home we're informed.
In the 90s we get East 17 and Soul II Soul, along with the whole Britpop phenomenon, which included the likes of Suede, Pulp and Blur, before bringing the book and the London influence right up to date with the likes of Dizzee Rascal, and Amy Winehouse.
There's also a list of 140 songs that the author recommends you should listen to, and just looking down the list makes you realise how much to London we should be thankful of, for influencing so many great songs and artists. There is so much more in here that I'm only scratching the surface here.
As the author says himself "London music is a projection of the self against a constantly shifting canvas of other people's bodies.......but every song is an act of reaching out". London, and Paul Du Noyer, we salute you.
Along the way Du Noyer covers numerous genres of music, from the Canterbury tales through Victorian Music to the witty lyrics of Lily Allan in 2008.
Not only does he deal with Londoners, it's also about the artists who came to record here, who dropped by for a visit, so Bob Dylan and The Beatles, to name but two, are as much a part of this city as the Kinks are. It's helpful that the author has had access to many of these artists over the years, and segments from many of his interviews are used throughout to great effect, presenting a wealth of information throughout the 300 pages, that might this book so informative.
Hearing the late Dusty Springfield proclaim "I'm not English...I've got nothing against the English, and I'm glad I was born here. But I'm glad my mother came from Kerry...and I can weep at Riverdance on TV" is just now of the many jewels sprinkled throughout this book.
Ronnie Kray's shotting of a rival gangster while the Walker Brothers played on the jukebox in the Blind Beggar pub in Whitechapel is priceless, with Kray rumoured to have said "the sun ain't gonna shine for him anymore" as he fired the fatal shot.
We learn that `mod' is short for Modernist (not modern), and why `Waterloo Sunset' is many people's favourite London song, as Ray Davies compares it to the classic `Casablanca'.
On the sadder side of London there's the legendary Ewan MacColl (as his daughter Kirsty), both of whom are now deceased and the legendary Marc Bolan, and the tragic end to his life in London. As Mickey Finn says "He was a big part of many people's lives. He would have been in his glory today. He probably is".
His friend David Bowie also loved London. "I've lived in London and been brought up here and find it's a great subject to write songs about" he states. We also find out where the name Ziggy Stardust came from.
As the music of London moves further into the 70s, there's David Essex, The Sparks, Kate Bush, Queen and Dire Straits to name but a few. Then there's the brilliant `Up the Junction' by Squeeze which takes us to Clapham, and Du Noyer reminds us that this song was a `hit record', without having a chorus.
As we enter the 80s a new legion of musicians appears. Spandau Ballet, Wham! Pet Shop Boys, and Culture Club, the latter consisting of lead singer Boy George, who spent most of his youth hanging outside David Bowie's home we're informed.
In the 90s we get East 17 and Soul II Soul, along with the whole Britpop phenomenon, which included the likes of Suede, Pulp and Blur, before bringing the book and the London influence right up to date with the likes of Dizzee Rascal, and Amy Winehouse.
There's also a list of 140 songs that the author recommends you should listen to, and just looking down the list makes you realise how much to London we should be thankful of, for influencing so many great songs and artists. There is so much more in here that I'm only scratching the surface here.
As the author says himself "London music is a projection of the self against a constantly shifting canvas of other people's bodies.......but every song is an act of reaching out". London, and Paul Du Noyer, we salute you.
Most Recent Customer Reviews
Comprehensive
Highly readable account. Perhaps a bit too comprehensive; you feel that just about every London song is going to be dredged up, no matter how tenuous, and nothing quite captures... Read more
Published 8 months ago by Mr. C. Morris
A lively and sparkling account of London and its music
This is a very lively and entertaining book that explains how London's identity as a city has been so closely tied to the development of popular music. Read more
Published 15 months ago by Neil Kernohan
City review
I found the book very informative and it gave an insight to the music places of years ago which have long disappeared. Read more
Published on 2 Mar 2010 by Mr. Patrick Mcdonald
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