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In Ignorance, set in contemporary Prague, one of the most distinguished writers of our time takes up the complex and emotionally charged theme of exile and creates from it a literary masterpiece.
A man and a woman meet by chance while returning to their homeland, which they had abandoned twenty years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence 'their memories no longer match.' We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion as the memory records only 'an insignificant, minuscule particle' of the past, 'and no one knows why it's this bit and not any other bit.' We live our lives sunk in a vast forgetting, and we refuse to see it. Only those who return after twenty years, like Ulysses returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance first-hand. Milan Kundera has taken these dizzying concepts of absence, memory, forgetting, and ignorance, and transformed them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.
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This book speaks to all exiles, and I mean by that all who have moved away from their roots to somewhere else for whatever reason. Those who stay behind have less and less in common with the person who returns. I can feel resonances despite living only sixty miles from where I grew up.
He is particularly good on the selectivity of memory. Did I leave because I wanted to escape or because of some other reason I now mis-remember ?
Taking the themes of ignorance, identity, nostalgia, memory and love, and adding a fresh examination of 'The Odyssey', he weaves a powerful tale of homecoming around three main characters: Irena, who undertakes a 'Great Return' to the Czech Republic; Josef, who, embarking on the same journey, finds himself adrift in his 'homeland' - 'listening to an unknown language whose every word he understood'; and Milada, a lonely woman scarred for life by a traumatic episode in her teens. All three are connected by their memories of who they were and, in the cases of Irena and Josef, by their confusion as to who they have become during the long years of exile. But memories, Kundera stresses, are weak, unreliable and inconsistent with the recollections of others. Yet, as demonstrated by Irena, Josef and Milada, they form a disproportionately large part of our identities. What happens then, when they are revealed as false or misleading? What happens when we are then left effectively ignorant of ourselves?
Read it and think.
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