If I Don't Know [Paperback]

Wendy Cope is one of the few modern British poets to regularly enter the bestsellers list and, with her book of verses If I Don't Know, it is easy to see why. Cope started out as a teacher and worked for a number of years in several of London's junior schools before becoming a freelance writer and columnist. In 1986, she produced her first book of poems Making Cocoa for Kingsley Amis, which contained various literary in-jokes, her work parodying the style of a number of key 20th-century poets; it was funny, accomplished and unique "light verse"--a term Cope dislikes because she feels that, "it is used as a way of dismissing poets who allow humour into their work".

If I Don't Know is less dominated by both parody and humour, less subservient to the canon and is a stronger collection for it. The trademark skills are still here but a darker and warmer, more personal, more direct style is in evidence as is an abiding concern with love and loss. In "Dead Sheep Poem" a dead sheep ("the skull / and jawbone, clean as carved ivory") is contemplated, violated even, by the just-arrived "person with the notebook". In "Tulips" the pleasure of watching her flowers is overshadowed by the knowledge that they will soon die, "Every day I wonder how long they will be here ... I almost wish them / gone". And a more critical, political note is struck in "Sonnet of '68" and the tender, sad "After Prague": "Hope is a long leash, / drawn in slowly". The last, long narrative poem "The Teacher's Tale" is a moving account of Paul ("He teaches nowadays. / He isn't bad at it.") and his troubled early years, "He got off with a caution ... Vowed silently he'd never steal again". Wendy Cope is an eminently readable, intelligent and always sympathetic poet and this is another fine collection of her work. --Mark Thwaite

Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach. These are poems of well-tempered yearning, conditional idylls which sing in praise of lying fallow, the creativity of daydream, the yeast of boredom, the truths of intermediacy. Wendy Cope's formal tact is alertly present - in triolets, rondeaux, villanelles, squibs, epigrams - small forms whose power to disarm goes hand in hand with her characteristically tart ripostes to the way things (usually) are. This collection extends the variousness of her occasions.

Wendy Cope was born in Erith, Kent. After university she worked for fifteen years as a primary-school teacher in London. Her first collection of poems, Making Cocoa for Kingsley Amis, was published in 1986. In 1987 she received a Cholmondeley Award for poetry and in 1995 the American Academy of Arts and Letters Michael Braude Award for light verse. Two Cures for Love: Selected Poems 1979-2006 was published in 2008.