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If [CD]

Bill Ryder-Jones Audio CD
5.0 out of 5 stars  See all reviews (3 customer reviews)
Price: £8.67 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (14 Nov 2011)
  • Number of Discs: 1
  • Format: CD
  • Label: Domino Records
  • ASIN: B005UU11IA
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 67,861 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. If... 3:42£0.79
Listen  2. The Reader (Malbork) 3:44£0.79
Listen  3. Leaning (Star Of Sweden) 4:04£0.79
Listen  4. By The Church Of Appolonia 3:27£0.79
Listen  5. Le Grand Desordre 4:31£0.79
Listen  6. Enlace 6:13£0.79
Listen  7. Intersect 4:21£0.79
Listen  8. The Flowers #3 (Lotus) 5:10£0.79
Listen  9. Give Me A Name 3:34£0.79
Listen10. Some Absolute End (The End) 6:00£0.79


Product Description

BBC Review

Pop musicians have many aspirations, but one that is often hardest to fulfil is to be taken seriously. Bill Ryder-Jones has taken no chances: he’s based his debut solo album on Italo Calvino’s 1979 post-modern, metafictional novel, If on a Winter’s Night a Traveler. Those adjectives will be enough to send shudders down the spines of many fans of Ryder-Jones’ previous band, The Coral – he left after their fifth album in 2008 – and certainly they’re unlikely to find any of the psychedelia that characterises the Liverpool band’s work here. But, if they can put to one side the concept – which, in truth, is superfluous to the record’s success – they’ll find plenty of other enticing ingredients on this quasi-soundtrack instead.

Having impressed with string arrangements for his former band’s Roots & Echoes album, Ryder-Jones places the Liverpool Philharmonic centre stage for many of these numbers. The opening title-track is a romantic, brooding tear-jerker pitched halfway between Ennio Morricone and Francis Lai – two composers whose work haunts this entire recording – and is intended to convey images of small-town Italian life; later, By the Church of Apollonia begins sparse and threatening, cellos, percussion and a lone female voice evoking images of defeated soldiers tramping through war-torn fields. Some Absolute End (The End) brings more rock-friendly instrumentation into play, with guitars strummed alongside the piano, occupying the cinematic territory of Calexico had they formed in the Wirral rather than Tucson; and Enlace grows from a two-note piano riff into a grand, emotive piece of orchestral rock, though it is rather spoiled by a Santana-esque guitar coda (that he actually admitted to The Guardian he wished he’d edited out).

It’s not all about blockbuster, if tasteful, big screen music-for-a-film-that-hasn’t-been-made. Leaning (Star of Sweden) is a moving meditation, a solo piano slowly joined by strings before Ryder-Jones himself sings, albeit in muted tones, the lyrics buried enigmatically in the mix. Le Grande Désordre, meanwhile, is an acoustic lament, guitar strings scratched in its intimacy before chamber strings swell out the sound. These songs are perhaps initially lost amidst the grandiose arrangements elsewhere but, after a while, they start to play a significant role in adding texture and colour to a concept that, against the odds, proves creatively fruitful in allowing Ryder-Jones to develop his genuinely impressive talent.

Novelist David Mitchell once said that Calvino’s book is "breathtakingly inventive" – but only the first time you read it. Ryder-Jones has not only pulled off the unusual feat of writing a soundtrack for a complex and experimental novel, complementing the book’s allure handsomely. He’s also, with its sentiment and inventiveness, made it worthy of repeated plays. He’s definitely worth taking seriously.

CD Description

f… is the debut solo album from Bill Ryder-Jones. Written as a tribute to Italian avant-garde author Italo Calvino’s postmodern novel If On A Winter’s Night A Traveller, If… is mapped out as soundtrack inspired by the book. Grand orchestral movements sit side by side with stark, nakedly emotional vocal pieces that weave a a bleak but beautifully moving and always visceral narrative. The album was recorded in various locations around Ryder-Jones’ hometown of Liverpool, including a Scandinavian Church, the Grade II listed warehouse Elevator Studios and his mother’s house. Musicians, friends, parents and even the Liverpool Philharmonic Orchestra pulled together in order for If… to become a reality. The Liverpool Philharmonic joined Ryder-Jones at the friary in Everton Valley for the instrumental tracks, of which there are five out of the ten on the record. Taking its cue from Abel Korzeniowski’s off-kilter soundtrack for Tom Ford’s acclaimed film A Single Man, If…’s influences are eclectic and diverse, from modern cinema composers like Michael Galasso (Seraphine) and Clint Mansell (The Wrestler, Black Swan) to psychedelic sorcerer Syd Barrett, Nick Cave and nineties Welsh indie-psych disciples Gorky’s Zygotic Mynci.

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Customer Reviews

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Most Helpful Customer Reviews
7 of 7 people found the following review helpful
By Red on Black TOP 50 REVIEWER VINE™ VOICE
Format:Audio CD
Those Liverpool mystics "The Coral" were always a smart bunch of musicians with tunes to spare and PhD's in clever pop songs. They could incorporate all styles in their music from Cossack rhythms to Howlin Wolf blues. Amongst there number was a young guitarist by the name of Bill Ryder Jones who left the band in 2008 and has since collaborated with such luminaries as Alex Turner from the Arctic Monkeys and Blur's Graham Coxon. This is Ryder Jones first solo album and it is at this point that a concept album alert is issued since it is a musical adaptation of Italo Calvino's 1979 postmodernist novel "If on a Winters Night a Traveller" an intriguing tome about the hunt for a mysterious book. This is a title that was also purloined for another album this time by the Tantric Geordie minstrel Sting, which if truth be told can't hold a candle to this astonishing debut.

In the form of "If" Ryder Jones has produced a cinematic beauty full of elegant soundscapes, half whispered lyrics and icy chill. Its almost nearly all instrumental, but not quite, and strangely prefigures the forthcoming winter wonders promised by Kate Bush in what sounds like her best album in years "50 words for snow" The title track of "If" kicks off the show with considerable aplomb. With its combination of sad Debussy ivories and then vast orchestral sweep it amounts to an immediate knock out blow. This mix of classical melodies combined with huge emotions continues on the next track "The Reader (Malbrock)" which conjures up that wonderful melancholy that Shearwater tapped into on their outrageously lovely "The Golden Archipelago" especially "Hidden Lakes". The mood shifts with the entry of the strikingly powerful "By The Church Of Appolonia's" with its almost funereal drumming and dramatic weight of its middle crescendo. Then suddenly everything is tripped right back to Ryder Jones, an acoustic guitar and "Le Grand Desordre" which Elliot Smith fans will swoon over throughout its four minutes of austere drama. Other songs like the standout "Enlace" alternatively start with that dark German quality that Radiohead have so successfully moulded on albums like "Amnesiac" but grow into a far more luscious and warm affair. It is rumoured that Ryder Jones does much soundtrack work and from listening to this track, which finally mutates into a Dave Gilmour sounding guitar work out, you can understand why. Seek out in addition "Intersect" with a sweeping cello that would warm the heart of Yo Yo Ma and is music of such depth that it deserves a huge audience to sit in rapt wonder. The presence of the Liverpool Philharmonic Orchestra throughout anchors the album with an inspirational set of musicians. On "Give me a name" all these factors come together perfectly with Ryder Jones understated vocal, huge strings that tug at your heart and a slow piano backdrop which sounds like snow falling. Truly splendid stuff and demanding repeated listens

This album is full of ambition, elegance, depth and intimate composition. Indeed in one sense "If" represents a scale of departure so radical that it can only be compared to the type of musical epiphany experienced by composers like Mark Hollis when he produced Talk Talk's masterpiece "Spirit of Eden". Quite how such promising musicians who have never really threatened such evocative grandeur reach a time and place when music of this quality is possible is a just remarkable and a cause of true celebration. Bill Ryder Jones has pulled off a minor miracle here and those of you who love beautiful music are about to be richly rewarded.
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By dr nick
Format:Audio CD
This has to be the best album I have heard in the last year. The music is hauntingly beautiful and grows and grows on you the more you listen to it. In some ways, it seems as if this should be music from a fantastic film and reminds me of Michael Nieman (the paino) meets Nick Cave (asssassination of jesse james), but seems to be be more diverse.
The vocals are beautiful, the strings just blow me away - exquisite violin playing throughout!
I was leant this album and it has not been off our stereo yet.
I just wish this was music for a film as I would really want to see it and experience more!
Musical genius! Thanks.
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1 of 2 people found the following review helpful
Sublime 17 Nov 2011
Format:Audio CD
I'm not going to write a review of each track or assess the album's soundtrack credentials, all i will say is that some of the music on here is just beautiful. I can't quite believe someone so young can write something as touching and restrained as this. I would like to be able to compare this to Paul McCartney's occassional forays into classical music, but sadly i can't bring myself to listen to Macca's latest ballet soundtrack!
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