- Mass Market Paperback: 383 pages
- Publisher: Berkley Publishing Corporation,U.S.; Reprint edition (Sep 1997)
- Language English
- ISBN-10: 0425158640
- ISBN-13: 978-0425158647
- Product Dimensions: 17.1 x 10.6 x 2.8 cm
- Average Customer Review: 3.7 out of 5 stars See all reviews (11 customer reviews)
- Amazon Bestsellers Rank: 1,783,694 in Books (See Top 100 in Books)
- See Complete Table of Contents
Idoru
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Product Description
Review
"IDORU INDUCES READER ANXIETY, AN ALMOST HURTFUL NEED TO JACK INTO THE NEXT PAGE...EVERY WORD IS WHERE IT SHOULD BE -- LEAN, EVOCATIVE, TENSE. POPULAR CULTURE IS WILLIAM GIBSON'S PLAYGROUND. ENJOY THE RIDE".
-- WIRED
Product Description
Set in futuristic Tokyo, rebuilt after an earthquake, this is the story of a rock star who decides to marry a non-existent,virtual reality girl; the bemused American security consultant who has been sent to take care of him; and a teenage fan. A witty futuristic thriller.
"Fast,witty and lovingly painted" GUARDIAN
"Confirms Gibson as a realist writer for the post-Net generation" TLS
"A true BLADERUNNER for the Nineties" GQ
--This text refers to the Paperback edition.
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First Sentence
After Slitscan, Laney heard about another job from Rydell, the night security man at the Chateau. Read the first page Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
After Slitscan, Laney heard about another job from Rydell, the night security man at the Chateau. Read the first page Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
13 of 13 people found the following review helpful
Format:Paperback
William Gibson remains the best example of why "speculative fiction" should replace "science fiction" for the generic term "SF". His temporal reach carries today's people into logical extensions of society into a world where the growth of today's technology is likely to confront them. Idoru is a superior example of Gibson's talent in making the projections he's rightly noted for. Like all his best work, technology here is present, but it's the characters, their outlook and dealing with events, that chains the reader's attention. Don't expect dashing heroes, attendant ladies, stygian villains performing in ways to divert you from reality. Gibson brings tomorrow's realities to his pages, realities you may be facing in your lifetime.
The pivotal element is the desire of a rock star to marry a hologram. Idoru is an electronic construct, the symbol of universal desires. She, too, is an entertainer, a "synthespian" in future Hollywood jargon. The term is pure Gibson, projecting today's fascination with special effects and animation supplemented films. Colin Laney, who bears special analysis skills has been hired to search the data streams to determine the reasons for this unusual liaison. It's a daunting task, and Gibson provides us many glimpses of our future while guiding Laney through the corporate entertainment world.
Laney also carries a dark secret, the suicide of a woman whose data he was tracking. She had perceived his observing her and he's concerned about who else might be detecting his surveys of information. His talent had always enjoyed anonymity. If Alison Shires could detect his intrusion, who else more powerful might also be watching? The idoru, whose visible projection Laney assesses as the "tip of the iceberg of an Antarctica of information" evokes fears of what powers may lie behind the projected image.
Most of the story takes place in New Tokyo, a rebuild of the city destroyed by the Great 'Quake which, have no doubt, is certain to come. Here, Gibson engages in subtle forecasts of how today's technologies will unfold in many ways over the next few decades.
Buildings will result from enhanced forms of biotechnology enabling them to "grow" instead of being constructed. Even something as mundane as sewage treatement receives his attention in taking his characters through their world. Your world, tomorrow. Take note of how Gibson forecasts it as the story unfolds. Any one of you might be tomorrow's Laney, Chia or even a model for the Idoru. It bears thinking about, but only if you read Gibson's captivating prose on what the future might hold for us all. [stephen a. haines - Ottawa, Canada]
9 of 9 people found the following review helpful
Format:Paperback
People praise Gibson for his grasp of futuristic technology, terminology etc. The fact is, however, that his novels are very much about the present. His early ones, for example, were very "80's" in both theme and background colour (corporate greed, Japanese takeover of America, etc.) Similarly, Idoru, with its throwaway references to Russian gangsters and so forth is very "mid-90's". However, it also has something very important to say about one aspect of our current society, namely the empty cult of celebrity that exists at the moment, where people are famous simply for being famous, and because the media say so, and where members of the public come to care more about the lives of "celebs" they will never meet than about the "real world". Also, is the idea of a Tokyo destroyed by earthquakes perhaps emblematic of a post-economic-meltdown Japan that no longer seems as invincible as it once did? All in all, Gibson continues to write this kind of book much better than any of his imitators (except perhaps Neal Stephenson -his "Snow Crash" is an absolute masterpiece). The Australian heavy, Blackwell, is perhaps one of the best characters Gibson has yet invented, and again we have a nicely passive central character who is helpless in the face of the events around him. There was also a lot of nice stuff about pop fandom and the weirdness of Japan when seen through western eyes, as well as cameos by a couple of characters from the earlier Gibson novel Virtual Light. Unlike a lot of cyberpunk writers, Gibson sees beyind the gadgetry, and has something to say as a novelist whose real business is satirising our own empty "culture". Like I said, one of a kind.
8 of 9 people found the following review helpful
Format:Paperback
This was the first Gibson book I read, really the first cyberpunk book I read, and it made me an instant convert. The plot of the book - stressed out PR workers and lovelorn fans trying to stop a rockstar's marriage to an Idoru (artificial pop singer), does not seem particularly strong, but Gibson makes it work with the right amount of humour. The best thing about the book is probably the way that stunning pictures are presented to the reader without over-description. Most of what you see is constructed from the characters' reactions. Also, the concepts are not hard to grasp for a newbie to the cyberpunk genre. Brilliant.
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Most Recent Customer Reviews
Tasty nuggets of SF cleverness
The late Bob Shaw coined a phrase for the small details of Science Fiction that he (and other writers) used to bring some flavour and verisimilitude to their work, and this was... Read more
Published 21 months ago by Rod Williams
Not too good
Again I think Gibson has made a flaw in this middle one, I think it tries too hard essentially as absolutely none of the characters were interesting and woo hoo a hologram is... Read more
Published 24 months ago by Paul M
Idoru
William Gibson offers a fresh squirt of cyberpunk panache with Idoru, named for the Japanese celebrity that doesn't exist, around which the story pivots. Read more
Published on 5 July 2008 by David Brookes
Idoru
'Idoru' is something of a follow-on to Gibson's earlier novel 'Virtual Light', sharing the same background world and carrying over a couple of minor characters, though with the... Read more
Published on 2 May 2007 by Jane Aland
A scene, not a story
I was most disappointed after having read most of Gibson's other work. The story -various characters gravitate to Japan because of a rock star's plans to marry a virtual celebrity-... Read more
Published on 21 April 2002
Best book I have read in ages
I enjoyed this book for its story. Reading some reviews about it, I find poeple dwell on the prodictions in the book and all the technology references. Read more
Published on 31 July 2000
Gibson-readers will definitly enjoy this.
In his latest books Gibson have narrowed the gab between present day and the near-future he has imagined. Read more
Published on 6 Sep 1999
Kids go wierd in a Gibson novel. Not his best.
Gibson's latest is a welcome return to form after the relative disappointment of Count Zero. Set in nearer future than Neuromancer, idoru tells the story of two relatively... Read more
Published on 30 Oct 1998
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