When I read a spy novel by the likes of Frederick Forsythe or John Le Carré, the excellence of such a work reminds me how much trash is written by other authors in the same genre.
Forsythe unfolds the events in ICON's first half by switching back and forth between two timelines. The first, in 1999, finds the British Embassy in Moscow coming into possession of the "Black Manifesto". This document, written by Igor Komarov, reveals his secret plan for his rule of Russia once he wins the presidential election scheduled for January 2000. Since Komarov is far ahead in the polls, and his Manifesto espouses both military aggression against surrounding countries and genocide against certain Russian minorities, the Brits are understandably worried. The second timeline, from 1983 to 1994, follows the upwardly mobile career path of CIA officer Jason Monk, as he becomes case officer for several key spies within the Soviet military, intelligence and scientific communities. Over time, Monk watches helplessly as his agents are betrayed by the real-life CIA turncoat Aldrich Ames, and subsequently captured, tortured and executed by the sadistic KGB Colonel Anatoli Grishin. The second half of the book has Monk, separated from the CIA since 1994, returning to Russia in 1999 on behalf of Western interests to discredit Komarov and destabilize his campaign for the Russian presidency. In the process, he matches wits with Grishin, now serving as Komarov's Chief of Security.
One of the strengths of this novel, besides the intricate plot and fine cast, is the (apparently factual) history of the Aldrich Ames betrayal, an absolute fiasco on the part of the CIA. This sort of background information adds immeasurably to any novel, yet isn't a part of many. In my mind, this writing technique is one of the reasons why Forsythe is at the top of his profession.
ICON proceeds at a crisp, clear and riveting pace. It was a book that was difficult to put down in deference to life's more mundane responsibilities. My only criticism, and one that prevents me from awarding 5 stars, was the heavy-handed ending lacking the finesse of what came before. It was as if Forsythe suddenly found himself faced with a publisher's deadline, and he had to achieve closure quickly. The final confrontation between Monk and Grishin was both clumsy and anticlimactic. Despite these closing flaws, however, the novel is top drawer.