Richman's 1992 album I, Jonathan has got to be his coolest. He waxes nostalgic on several tracks without becoming mired in sap. "Parties In the U.S.A." is one of his best, built on a groove (and some of the lyrics) from the '60s hit "Hang On Sloopy." "Velvet Underground" is a tribute to one of Jonathan's favorite bands, performed Chuck Berry-style except for the mid-song break in which Richman slips into a spot-on Lou Reed impression to perform a snatch of the Velvets' "Sister Ray." A six-minute re-recording of 1983's "That Summer Feeling" sonically recalls the Velvets' "Sunday Morning" and "All Tomorrow's Parties." It's a beautiful song about the gulf between childhood experience and adult nostalgia; the "summer feeling" refers to childhood filtered through the adult mind so that only the best stuff is remembered, and Jonathan insists that it is a seductive, deceptive, and potentially destructive force ("you'll throw away everything for it"). This tour-de-force is followed by the zingy surf-rock of "Grunion Run," the jangly love ode "A Higher Power," and "Twilight in Boston," Richman's dreamy spoken-word tribute to his hometown. Other gems include the tense "You Can't Talk to the Dude" and the funky "I Was Dancing in the Lesbian Bar." I'd put this right up there with Having A Party (1991) as one of Jonathan's most consistently entertaining efforts.