Piston-engined aircraft of WWII are among the most fascinating and important artifacts of the 20th century, part of some of the most intriguing history of war and humanity that affected millions directly and indirectly. It is not surprising that they evoke passion and obsession.
This book attempts to describe the passion and obsession, but its disjointed, episodic and disintegrated form works against it and the technical errors are annoying. Reviewer Collins (see his review) correctly identifies the core problem: the author does not seem to have considered his audience(s). If he's writing for knowledgeable aviation enthusiasts, his lack of depth, poor research and many errors are a turnoff. If he's writing for non-flyers, he doesn't provide enough background information on the many wonderful flight museums and collectors around the world to frame the subject adequately (his superficiality about, say, Kermit Weeks, is a huge disappointment, as just one glaring example). If he's writing for readers who enjoy literature, his lack of polish is a disappointment--much of the book reads like a first draft. It seems that Hoffman's approach to flying is skewed to the gee-whiz and away from the magnificent, mysterious realities of aviation.
Offering credentials like AIR & SPACE and SMITHSONIAN doesn't induce confidence in the reader. Both these publications often use materials from staff or stringers that are deeply disappointing and too often read like the work of somewhat talented amateurs, matched by editorial positions that seem to be issued--without justification--ex cathedra. If Hoffman had written for AVIATION WEEK or FLIGHT JOURNAL one could be sure of its quality.
If some genuinely competent pilot-writer could approach this subject--someone like, say, Walter Boyne or Richard Bach--it would result in an important historical document with breadth, depth and authenticity. Such a work is urgently needed. Sadly, HUNTING WARBIRDSA is not that book.