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Review On Hunkpapa the spoils were divided as before, with Hersh taking the lion's share of credits. But this time her efforts were tempered with a commerciality that had previously been the domain of Donelly. A lot of this comes down to Gary Smith's rather over-lush production. While taking off a lot of the edge, it brings Hersh's 'Dizzy' to life and can't even begin to dull coruscating fare like her tale of a prostitute, 'Bea'.
But what really keeps Hunkpapa in the realm of greatness is the band's ability to keep up with Hersh's idiosyncratic muse. Especially of note is drummer Dave Narcizo whose elasticity makes these angular and punchy slices of college rock come to life.
The album does contain a couple of clunkers in 'No Parachutes' and 'I'm Alive', but Donelly's 'Dragonhead' gives a good indication of her wonderful output to come. Hunkpapa is probably the band's most flawed album, but it still contains riches worth investigating. --Dennis O'Dell
Find more music at the BBC This link will take you off Amazon in a new window
From the opening of Devil's Roof, Hersh weaves a lyrical maze that one hopes they will never have to navigate alone. The crisp guitars push along at a pace that will slow down for no one. Dragonhead stands out from the rest, not only due to Donelly's penmanship and vocals, but through a re-routing of the musical path, twisted again with Angel.
For fans of the Muses, this must be next album after The Real Ramona in a retrospective of the Muses.
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