Review
'An exceptional writer.' Peter Matthieson'A novelist of dazzling ingenuity' San Francisco Chronicle'A distinctive voice, polished and profound' Times Literary Supplement'An absorbing story of a world in transition, brought to life through characters who love and suffer with equal intensity.' JM Coetzee'Ghosh is one of the most sympathetic post-colonial voices to be heard today. He looks at love and loyalty, and examines the question of Empire and responsibility, of tradition and modernity.' Ahdaf Souief'Ghosh has established himself as one of the finest prose writers of his generation of Indians writing in English' Financial Times'Amitav Ghosh is such a fascinating and seductive writer...a deeply serious writer, sure of his human and historical insights and confident in his ability to communicate them. I cannot think of another contemporary writer with whom it would be this thrilling to go so far, so fast' The Times'Ghosh seamlessly blends ideas about the power of the photographic image with unforgettable descriptions of nature -- in a thoroughly enjoyable, intelligent epic that's bound to win him a wide and grateful readership'. Kirkus Reviews'Ghosh's voice remains distinctive...it has a lush and sensuous quality which renders even the most historical of passages wonderfully readable.' Belfast Telegraph'As always Ghosh wields his pen lightly, with supple prose being the order of the day.' Sunday Business Post'Ghosh vividly brings to life the history of Burma and Malaya over a century of momentous change in this teeming, multigenerational saga.' Publishers Weekly'You feel that Ghosh speaks with the true voice of the sub-continent, wise, superstitious and set firmly in age-old ritual.' Birmingham Post'I will never forget the young and old Rajkumar, Dolly, the Princesses, the forests of teak, the wealth that made families and wars. A wonderful novel. An incredible story.' Grace Paley
Outsiders are drawn into the exotic vortex of a remote Pacific archipelago. In a complex narrative filled with echoes of Naipaul and especially Conrad (with an occasional nod to Peter Matthiessen's At Play in the Fields of the Lord), Anglo-Indian author Ghosh (The Glass Palace, 2001, etc.) interweaves the fates of several natives and visitors to the pristine (if not primitive) Sundarban Islands in the Bay of Bengal. Marine biologist Piya(la) Roy, raised in the United States by Indian parents, has come to the islands to study a rare and endangered marine species, the Irrawaddy dolphin. New Delhi businessman Kanai Dutt (creator of a thriving translation business) is visiting his aunt Nilima, and perusing the history (of the islands' exploitation by "people who made a push to protect the wildlife here, without regard to the human costs," and a failed utopian "revolution" waged by settlers and their sympathizers) contained in the journal of Kanai's uncle Nirmal, a probable victim of political murder. Matters are further complicated when Kanai serves as translator on Piya's research expedition, in a fishing boat piloted by taciturn islander Fokir, the adult son of an embattled woman (Kusum) who may have been Nirmal's lover, and appears to have shared his fate. Ghosh tells their stories in parallel narratives suffused with an impressive wealth of historical, cetological and ethnographic detail (which isn't always successfully dramatized). The result is a fascinating tapestry, in which idealistic motives and carefully preserved secrets alike are vulnerable to a world of various predators-a truth expressed in the beguiling legend of the islands' "protectress" in combat with a malevolent "tiger-demon," and during a climactic tropical storm followed by a fateful "tidal surge." A bit bumpy; still, overall, Ghosh's fifth is one of his most interesting. (Kirkus Reviews)
The Independant
'Skillfully depicts this truly vengeful place...where fantasy and reality constantly overlap'
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