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Amazon.co.uk Review
The year is 1815 and Europe's most unpopular (not to mention tiniest)empire-builder has escaped from Elba. In The Hundred Days, it's up to Jack Aubrey--and surgeon-cum-spymaster Stephen Maturin--to stop Napoleon in his tracks. How? For starters, Aubrey and his squadron have been dispatched to the Adriatic coast to keep Bonapartist shipbuilders from beefing up the French navy. Meanwhile, one Sheik Ibn Hazm is fomenting an Islamic uprising against the Allies. The only way to halt this manoeuvre is to intercept the sheikh's shipment of gold-- because in the Napoleonic era, as in our own, even the most ardent of mercenaries requires a salary.
The Hundred Days is the 19th (and, we are told, the penultimate) instalment of O'Brian's epic. Like many of its predecessors, it features a swashbuckling plot, complete with cannon fire, exotic disguises and Aubrey's suspenseful, slow-motion pursuit of an Algerian xebek. Yet it never turns into a mere exercise in Hornblowerism. In part, this is due to O'Brian's delicate touch with character--the relationship between extroverted Aubrey and introverted Maturin has deepened with each book, and even Aubrey's reunion with his childhood companion Queenie Keith is full of novelistic nuance: "They sat smiling at one another. An odd pair: handsome creatures both, but they might have been of the same sex or neither." Nor does the author focus too exclusively on his dynamic duo. Indeed, The Hundred Days is very much a chronicle of a floating community, which Maturin describes as "his own village, his own ship's company, that complex entity so much more easily sensed than described: part of his natural habitat."
Finally, O'Brian shows his usual expertise in balancing the great events with the most minuscule ones. Other authors have written about battles at sea, and still others have recorded the rapid rise and fall of Napoleon's fortunes after his escape from confinement. But who else would give equal time--and an equal charge of delight--to Maturin's discovery of an anomalous nuthatch? --James Marcus
Review
'! full of the energy that comes from a writer having struck a vein! Patrick O'Brian is unquestionably the Homer of the Napoleonic wars.' James Hamilton-Paterson 'You are in for the treat of your lives. Thank God for Patrick O'Brian: his genius illuminates the literature of the English language, and lightens the lives of those who read him.' Kevin Meyers, Irish Times 'In a highly competitive field it goes straight to the top. A real first-rater.' Mary Renault 'I never enjoyed a novel about the sea more. It is not only that the author describes the handling of a ship of 1800 with an accuracy that is as comprehensible as it is detailed, a remarkable feat in itself. Mr O'Brian's three chief characters are drawn with no less sympathy that the vessels he describes, a rare achievement save in the greatest of writers of this genre. It deserves the widest readership.' Irish Times
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First Sentence
The sudden rearmament that followed Napoleon''s escape from Elba had done little to thin the ranks of unemployed sea-officers by the early spring of 1815. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
The sudden rearmament that followed Napoleon''s escape from Elba had done little to thin the ranks of unemployed sea-officers by the early spring of 1815. Read the first page
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