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Human Traffic [1999] [DVD]

Justin Kerrigan; Jan Anderson , John Simm , Justin Kerrigan    Suitable for 18 years and over   DVD
4.0 out of 5 stars  See all reviews (106 customer reviews)
Price: £2.65 & FREE Delivery in the UK on orders over £10. Details
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Frequently Bought Together

Human Traffic [1999] [DVD] + Weekender [DVD] + Irvine Welsh's Ecstasy [DVD]
Price For All Three: £11.30

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Product details

  • Actors: Justin Kerrigan; Jan Anderson, John Simm, Andrew Lincoln, Lorraine Pilkington, Shaun Parkes
  • Directors: Justin Kerrigan
  • Format: Anamorphic, PAL, Widescreen, Colour
  • Language: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: 18
  • Studio: Prism Leisure Corporation
  • DVD Release Date: 14 April 2003
  • Run Time: 95 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (106 customer reviews)
  • ASIN: B00004D069
  • Amazon Bestsellers Rank: 2,614 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

The real story of youth in the nineties is this: chemicals, clubs, bars, pubs, mobile phones, trainers, combats, care-less, monged, mashed, sorted, safe.

From Amazon.co.uk

Five best friends, 48 hours and a bucketload of ecstasy pills make for an enjoyably lightweight slice of pop-cultural ephemera from debut director Justin Kerrigan. Cardiff is the city, and hardcore partying, clubbing and pubbing is on the menu as Jip (John Simm) and his renegade band of McJobbers clock off and head out for a weekend of debauchery. Among Jip's hedonistic posse are the cheeky cockney drug-dealer Moff (Danny Dyer), the terminally jealous boyfriend Koop (Shaun Parkes) and the bad-boy magnet Lulu (Lorraine Pilkington).

And that's pretty much it. Our heroes meet in a pub, get drunk, take drugs, go to a club, then to a party, then home and then meet up in another pub, just in time for the closing credits. Along the way there's a shamefully lethargic attempt to establish character back-story: Jip is temporarily sexually impotent because his mother's a prostitute; Koop's father is institutionalised; Lulu has nasty boyfriends; and Moff has conservative parents. But generally Human Traffic is happier at the heart of the party, celebrating the intoxication of club culture--which it does in style. Kerrigan pulls out all the formal stops with an energetic melange of jump cuts, slo-mo, and speeded-up "smudge" motion camerawork. There's also direct addresses to camera, fantasy sequences and some self-conscious cameos from DJ Carl Cox and former-drug dealer Howard Marks, author of Mr Nice. Wall-to-wall music from the likes of Fatboy Slim, William Orbit and even Primal Scream help paste over the occasional cracks in the veneer, which include some particularly duff lines ("We're gonna get more spaced than Neil Armstrong ever did!") and a drawn analysis of drug references in Star Wars, a nod to the films of Kevin Smith, such as Clerks, Mallrats and Chasing Amy. And if the whole project already feels dated and empty, well that's because it perfectly captures an essentially 1990s moment, and one gloriously empty weekend. --Kevin Maher


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Customer Reviews

Most Helpful Customer Reviews
6 of 6 people found the following review helpful
5.0 out of 5 stars The milky bars are on me! 30 April 2000
Format:VHS Tape
OK so its a quiet saturday night and you figure, "I'll stay in... have some wine, maybe watch a movie" If that movie is human traffic before the midpoint you will have called your friends and left the building... not the most positive start to a review, but its because the film is SO good that you have to turn it off and enjoy your own club culture. Funny, Inventive, friendly, likable its a bunch of best mates in a video box.
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3 of 3 people found the following review helpful
5.0 out of 5 stars Great 7 Oct 2007
Format:DVD
Somewhere between the cheery comedic teen angst of a Brat Pack movie and the stylishly dingy, drug-ravaged night life of "Trainspotting," you'll find the fresh-faced, fun-loving, Ecstasy-dropping, Welsh weekend warriors that populate the party-hardy world of "Human Traffic."

A capricious and energetic, rave-flavored tour through a bouncy Friday-Saturday-Sunday of dance and romance in the lives of five club-hopping pals on the cusp of their 20s, this lightweight snapshot of edgy Y2K youth culture has nothing new to say about sex, drugs and rock 'n' roll -- but it says that nothing with irresistibly enthusiastic effervescence.

The story is narrated with hyperactive chirp by Jip (John Simms), a soft-featured Tim Roth look-alike who blows off steam from his weekdays in retail hell by getting squiffy with his mates and dancing the night away.

His entourage includes his best gal pal Lulu (Lorraine Pilkington), a tangy "full-on club minx" with a mane of out-of-control curls and a secret jones for Jip; aimless stoner Moff (Danny Dyer); African-Anglo Koop (Shaun Parkes), a spastic record store DJ with a jealous streak; and Koop's flirty girlfriend Nina (Nicola Reynolds), who bolts from her McJob in a fantasy-embellished early scene that sets the movie's anti-establishment mood.

Written and directed by 25-year-old Justin Kerrigan, a recent Welsh film school grad who has won a handful of festival awards, "Human Traffic" accompanies this group from their day jobs (hate them!) through their club-hopping nights in a style that apes from a dozen sources (notably, "Trainspotting" and early MTV) without feeling unoriginal.
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5 of 5 people found the following review helpful
5.0 out of 5 stars Who You Been Callin' in Taaaiwaaan, Bhoy! %# 2 April 2000
By A Customer
Format:DVD
This movie is an excellent portrayal of the rave and club sub cultures that have sprung up around the globe in the last decade or so. It's an insightful show of how people deal with the drugs, the parties and the general life.

If you liked GO! and Fear and Loathing in Las Vegas you'll LOVE Human Traffic. This movie will leave a huge grin on your face and have you chuckling for a long, long time!

For all the E fiends as myself this is the flick to check! Nice one BRUVVA! i said nice one!
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11 of 12 people found the following review helpful
3.0 out of 5 stars Great film, poor version of the DVD. 29 Sep 2009
Format:DVD
First of all, this is a fantastic film. Well acted and it has an excellent soundtrack. The film is worth 5 stars. The reason I gave it 3 is because this is a poor release of the film. I borrowed my friends 2003 version of the film before I bought this one and it has the special features and is in 5.1 surround sound. This version (2007) has no special features and is in only 2.0 stereo. Take it from me, buy the older, second hand version of this film. It's virtually the same price but you get lot's more for your money. If you're going to by a classic, why not get it in it's best version.
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9 of 10 people found the following review helpful
Format:VHS Tape
Many films over the years have approached the task of a realistic interpretation of the causes and effects of drug use on youth culture. Most have handled the subject as being a singular form of escape from a monotonous lifestyle, or as a '1 off' experiment that snowballs into dependency. However, few have given such a realistic and accurate snapshot of how a whole generation formed a unique togetherness, until the wonderfully crafted 'Human Traffic' that is.

A key element to the films subject matter is one that the tabloid press have devoted endless headlines to and demonised the use of. That is, the use of 'Ecstasy', a drug which has developed a close bond with the dance music scene since the mid 90's.

Produced by Justin Kerrigan, the film follows 5 friends on a typical weekend out in Cardiff, though the setting could be any town or city in the country. The sense of build up to the up comming night out is portrayed in manner that will be instantly recognised to many.... but will hit a note more directly to those who have experienced similar euphoric feelings!

The cast assembled by Kerrigan give a true realism that comes with an understanding of the factors that acompany the dance music scene. So much so that the film could never have worked with actors who hadn't experienced first hand the highs - and lows - of a sub-culture that has been felt by a whole generation and beyond.

John Simm, Danny Dyer and Co., with the help of a soundtrack that makes the spine tingle, combine to produce a masterpiece of cinematography which neither glorifies nor condemns the use of any drug, regardless of classification.

Society will always have drugs and have those prepared to 'experiment'.
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