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And that's pretty much it. Our heroes meet in a pub, get drunk, take drugs, go to a club, then to a party, then home and then meet up in another pub, just in time for the closing credits. Along the way there's a shamefully lethargic attempt to establish character back-story: Jip is temporarily sexually impotent because his mother's a prostitute; Koop's father is institutionalised; Lulu has nasty boyfriends; and Moff has conservative parents. But generally Human Traffic is happier at the heart of the party, celebrating the intoxication of club culture--which it does in style. Kerrigan pulls out all the formal stops with an energetic melange of jump cuts, slo-mo, and speeded-up "smudge" motion camerawork. There's also direct addresses to camera, fantasy sequences and some self-conscious cameos from DJ Carl Cox and former-drug dealer Howard Marks, author of Mr Nice. Wall-to-wall music from the likes of Fatboy Slim, William Orbit and even Primal Scream help paste over the occasional cracks in the veneer, which include some particularly duff lines ("We're gonna get more spaced than Neil Armstrong ever did!") and a drawn analysis of drug references in Star Wars, a nod to the films of Kevin Smith, such as Clerks, Mallrats and Chasing Amy. And if the whole project already feels dated and empty, well that's because it perfectly captures an essentially 1990s moment, and one gloriously empty weekend. --Kevin Maher
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Not much in the way of features. A 'making of' documentary, a couple of short films from his student days & some more deleted scenes. My favourite is the car journey. Its only trivial, but they are driving along and the tape jams in the cassette player. A total, chemically induced, over the top reaction follows, threatening the interruption of the buzz! Only one thing you can do in that situation.. Sing up! It might be lost on some people but others will know what I mean. Its this attention to detail that makes the film special.
I'm totally convinced that Justin Kerrigan was part of the scene, as you don't get such close parallels without living it for real. If anything the acting is a little too good, right down to the dilated pupils. I think the cast really did their homework on this. In fact may still have been doing it whilst filming... Only kidding ;)
Energetic first half, with a blinding soundtrack. System F - Out of the Blue, remains my favourite dance track of all time. A slower more uncomfortable feel to the second half, maybe to balance the equation, albeit light-heartedly & show us that ecstasy isn't all empathy n skittles.
I think it's a pretty fine debut from Kerrigan, who clearly put a lot of effort into this. It makes me a little sad when I hear stories about it being locked in distribution battles & burning him out before he's even begun. Maybe that's why we haven't heard anything from him since? Shame, as he clearly has talent.
We risk sanity
for moments of temporary enlightenment.
So many ideas, so little memory.
The last thought
killed by the anticipation of the next.
We embrace an overwhelming feeling
of love. We flow in unison.
We're together.
I wish this was real
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