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Human Chain [Hardcover]

Seamus Heaney
4.6 out of 5 stars  See all reviews (7 customer reviews)
RRP: £12.99
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Book Description

2 Sep 2010

Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present - the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, as lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems which stand at the crossroads of oral and written, and other 'hermit songs' which weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled 'Route 110' plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s adolescence to the birth of the poet's first grandchild. Other poems display a Virgilian pietas for the dead - friends, neighbours and family - which is yet wholly and movingly vernacular.

Human Chain also adapts a poetic 'herbal' by the Breton poet Guillevic - lyrics as delicate as ferns, which puzzle briefly over the world of things which excludes human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.

Human Chain is Seamus Heaney's twelfth collection of poems.


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Product details

  • Hardcover: 96 pages
  • Publisher: Faber and Faber Ltd; First edition (2 Sep 2010)
  • Language: English
  • ISBN-10: 0571269222
  • ISBN-13: 978-0571269228
  • Product Dimensions: 14.7 x 22.4 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 38,230 in Books (See Top 100 in Books)

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Review

'These poems are sparse, compact little jewels. Reading them is like biting into a meal cooked by an expert chef; every so often, you take a bite that is suddenly, blindingly full of flavour ... supreme.' --Evening Standard

'This beautiful and affecting collection includes Heaney's own not-so-distant brush with death ... The prevailing tone is retrospective, clear and unflustered as if written from the vantage point of a small hilltop ... Many poems are tender and welcoming but Heaney was never one for false consolation. There are bracing elegies here too. ' --Kate Kellaway, Observer POETRY BOOK OF THE MONTH

'The poems in it [the collection] are short, unpretentious, and often about quite humdrum things. But they are a jubilant display of unfaltering and seemingly casual mastery … this collection is almost a mini-biography, but made of poetic wonders not career steps … complete, brilliant and assured, reminding us once more that as a poet Heaney is on his own.' --John Carey, Sunday Times

'Magnificent collection.' -- Irish Times

'Remarkably beautiful poems ... a superb collection from a poet at the peak of his powers.' -- Sunday Business Post

'Sparse, compact little jewels ... supreme.' --Scotsman

'The poems in it [the collection] are short, unpretentious, and often about quite humdrum things. But they are a jubilant display of unfaltering and seemingly casual mastery … this collection is almost a mini-biography, but made of poetic wonders not career steps … complete, brilliant and assured, reminding us once more that as a poet Heaney is on his own.' --John Carey, Sunday Times --This text refers to the Paperback edition.

Book Description

A new collection of poems from Nobel Prize winning writer Seamus Heaney.

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Customer Reviews

4.6 out of 5 stars
4.6 out of 5 stars
Most Helpful Customer Reviews
32 of 35 people found the following review helpful
5.0 out of 5 stars Enriched Not Drained 17 Nov 2010
By Scribe
Format:Hardcover
Seamus Heaney is a rare and generous writer because his work leaves you enriched not drained. He is a writer of the old school who always offers something new. For him, writing is a craft and a gift, never a copy. You can read his poems knowing there is not a single line that is fake. The Human Chain bears the hallmark of authenticity, fresh and glistening amid all the staleness. In a world of mass communication where so many are shouting to be heard, Heaney need not even raise his voice.
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38 of 44 people found the following review helpful
5.0 out of 5 stars Possibly perfect 22 Dec 2010
Format:Hardcover
I'm not even going to think about calling this a review of Seamus Heaney's latest collection of poems, Human Chain.. It would be incredibly presumptuous on my part to even suggest that I'm going to "evaluate" his work (of course, normally I'm always presumptuous in terms of reviewing!). Instead, I'm going to just relay a few points that I love about this amazing poet, and why you should read him if you haven't already.

For one thing, his writing style is so straightforward and concise. It's not fluffy or ostentatious or full of bizarre allusions that make you feel ignorant for not understanding. Instead, he writes like a reader, with spare words that draw crisp pictures. Yet his poetry does have layers...you can find multiple meanings if you ponder what he says, so they still have depth and are certainly not simplistic at all. In fact, in many ways his simplicity is deceiving.

For example, I recently re-read "Digging", a poem he wrote in 1968 about a man admiring his father's and grandfather's strength as they turned over turf and worked the land in Ireland. He concludes the poem with something along the lines (I'm paraphrasing) that 'I'll have to do the work with my pen'. What initially is a pleasant enough little story (hard work, family, nature) suddenly had a deeper meaning and then, "digging" into it, one could see he was commenting on the struggles of Northern Ireland and showing the violence that was sometimes used to create change in the Republic. He never got pushy or overtly political but you could clearly see that he was sending another message.

So, in reading Human Chain, I was again dazzled by his subtlety. In one poem, "Miracle", he leads the reader into another direction of thought as he reconsiders the Biblical event of Christ healing a lame man:

Not the one who takes up his bed and walks

But the ones who have known him all along

And carry him in-

Their shoulders numb, the ache and stoop deeplocked

In their backs, the stretcher handles

Slippery with sweat. And no let-up

Until he's strapped on tight, made tiltable

And raised to the tiled roof, then lowered for healing.

Be mindful of them as they stand and wait

For the burn of the paid-out ropes to cool,

Their slight lightheadedness and incredulity

To pass, those ones who had known him all along.

Here, he's stepped back from a significant event to expand on its effects to those out of the spotlight, observers on the periphery who are also altered, although less obviously. In "Slack", he writes about the repetitive and mundane nature of storing coal for the fire, and shows what the symbolic heat means for the home:

A sullen pile

But soft to the shovel, accommodating

As the clattering coal was not.

In days when life prepared for rainy days

It lay there, slumped and waiting,

To dampen down and lengthen out...

And those words-

"Bank the fire"-

Every bit as solid as

The cindery skull

Formed when its tarry

Coral cooled.

Here he illustrates the fragile balance of life and death as dependent on the existence of the humble coal; and foreshadows what happens when the coal runs out. In that case, the cold shells of the fire appear as "skulls". So is he talking about just a home fire or the flame of one's heart?

Finally, the most poignant of all is "The Butts", where the narrator describes searching through a wardrobe of old suits. He describes how they "swung heavily like waterweed disturbed" as he checks the pockets and finds them full of old cigarette butts, "nothing but chaff cocoons, a paperiness not known again until the last days came". Colors, sounds, even odors are a part of the poem as he leaves you to wonder why he's looking through the clothing. Hinting, but never direct, one senses that Heaney is describing the search for a proper burial suit. For a father?

Throughout the collection, varying dedications for the poems give the sense that Heaney wants to go on record with his past and make the connections that are implied with the title, Human Chain. When I first looked at the cover, I thought it was of trees branches, maybe birch, threading out to tiny tips. Then I was alerted to a possibly different meaning when I saw a microscopic picture of the human circulatory system-the blood channels that look so similar to branches. In either case, Heaney has shown, again, an amazing grasp of the connections and complexity of the human condition.
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2 of 3 people found the following review helpful
5.0 out of 5 stars A suspension of time ? 20 Sep 2011
Format:Hardcover|Amazon Verified Purchase
«The full of a white/ enamel bucket /of little pears » : Seamus Heaney offers images that pretend to fix the suspension of time , almost a kind of an every day metaphysics, similar to some old Dutch painters and millions of followers. Together with the usual remembrances of the past ("Album") he paints its music on the page:
"It was the month of May/ Trees in Harvard yard/were turning a young green "..." And stood there waiting, watching/needy and ever needier for translation"

It is as Heaney would have a double look: from one part he follows the Poetry tradition, with the other he offers sound and sense to his own experience. An example might be "A herbal", where:
"Everywhere plants /flourish among graves" "Between heather and marigold/...between forget me not and honeysuckle", make him realize his deepest wish : «I had my existence/ I was there/ Me in place and the place in me"/

Autobiography in Seamus Heaney poetry goes beyond himself. And becomes music of the world, space belonging to everyone and this is perhaps the deepest sense of the human chain, as the title says. And therefore it would be bereable to support the mind's amnesia, the uncertain step of old age, the body's fragility, writing in verse in the great dramatic hurry of the ambulance towards the Hospital :"Chanson d'Aventure":
"in the sunlit cold of a Sunday morning ambulance" ("Love's mystery in souls do grow, but yet the body is its book")
Old age and illness do not extinguish the vital thrust . The desire to weigh anchor. This might be his problem to day but it is everybody's problem. He is not an introvert like T.S.Eliot.

Heaney remembers me of the philosopher Karl Barth, that gives to Mozart music the greatest magnitude, because his YES contains and overcomes the No that also sets place and pervades his life. As Gustav Mahler's work. As a great part of humanity that struggle with this duality. It is the same with poetry: it is a way of reparation, that tries to know how to repair external menaces and interior fears.

. . ."You could confess/everything to./Even your fears/ of the night/ of people/ Even. . . "

This is beautiful poetry, highly recommended !
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