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Maugham's semi-autobiographical novel was published in 1915 and is considered his masterwork. By Hollywood standards, this film adaptation is remarkably faithful, not to mention literate and intelligent, so a lot of the credit has to go to Lester Cohen for the screenplay. Howard handles the role of the sensitive Philip well, but it is Davis who turned a lot of heads for the first time with her performance as the tawdry little waitress (Life magazine called it "Probably the best performance ever recorded on the screen by a U.S. actress"). Certainly this is the role that made Warner Brothers take a serious look at the young actress. What is remarkable is how much of this emotionally shattering tale is packed into 83 minutes of running time.
Carey and Mildred are complicated creatures. While Mildred basically comes off as an unfeeling tramp, one can't help but believe that there is something human inside her that is genuinely attracted to Carey and the kind of gentlemanly life he can offer her, but her affections continually prove themselves fickle at best. As for Carey, his fatalistic love for Mildred makes no sense whatsoever, as she never fails to treat him harshly. Other women do come to love him deeply and truly, and Sally, the daughter of one of his patients, seems perfect for him, yet one strongly senses the fact that he can only truly love Mildred. It is really that part of the story and not the tragic life of Mildred herself which makes this movie so poignant and sad.
Of Human Bondage is the movie that made Bette Davis a verifiable star way back in 1934. Her performance is certainly fantastic, but she really provides only a hint of the actress she would become. The fact that her character is so impossibly self-serving and unfeeling makes it hard to identify with or like her (especially when she gets angry), yet Bette Davis makes her an unforgettable character of almost hypnotic fascination. I should say that Leslie Howard is also wonderful in this movie. The kind of aloof passive resistance he showed five years later in Gone With the Wind is a perfect match for the character of Philip Carey. He is almost incapable of standing up to fate, allowing his life to be brought to the point of ruin, both financial and emotional, by a woman who seemingly lives to torment him. I'm always left with a strange feeling after watching this movie, one of strange disquiet and sentimentality. Released in 1934, Of Human Bondage remains a powerful and compelling story of human passion, and Bette Davis' performance is eternally magical.
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