Howl's Moving Castle - Double Play (Blu-ray + DVD)

Not a lot of directors would be brave enough to take on a love story between a girl-turned-old-lady and a wizard missing a vital organ.

But Oscar-winning director/writer Hayao Miyazaki tackles a new fantasy realm in in "Howl's Moving Castle." In this case, it's the world of fantasy dowager Diana Wynne Jones, and he wraps the storyline in humor, romance and genuine flair. No, it's not faithful. But it is fantastic.

Sophie (Emily Mortimer) is a plain, unhappy young woman working in a milliner's shop. But then the evil Witch of the Waste (Lauren Bacall) comes into the shop, and turns her into a hobbled old lady (Jean Simmons). Sophie ends up wandering into the Moving Castle, a chicken-legged chaos machine, and encountering the sexy, immature wizard Howl (Christian Bale), smart-aleck fire demon Calcifur (Billy Crystal), and preteen apprentice Markl (Josh Hutcherson).

Sophie appoints herself the cleaning lady and starts whipping the castle into shape, trying to deal with Howl's temper tantrums and the rapidly deepening war. And, of course, trying to de-curse herself. But when she runs an errand that Howl is too scared to deal with, she finds that her new boss has some sinister problems of his own -- including a missing heart.

Don't expect much fidelity to the humorous fantasy novel. Miyazaki takes plenty of liberties with the story, leaving out characters and adjusting others. As a result, it feels more like his story than Jones', with the earmarks of his style -- blobby monsters, colorful rural settings, intense anti-war messages, strange machines, and a Jules-Verne atmosphere of Victorian technology. But "Howl's Moving Castle" is very different from the others Miyazaki has done, since he kept the British flavour of the original book.

Moreover, it's a love story. Miyazaki has vaguely touched on romance in prior movies, but here it's full-blown, and surprisingly un-cheesy. In less skilled hands, having Howl say "I finally found something worth protecting. It's you" would seem inane. In Miyazaki's hands, it's not. And even though Sophie looks elderly through most of the movie, Miyazaki never falls into trite observations about inner beauty. He just lets the story show it.

Not that it's all lovey-doviness -- Sophie's housecleaning and Calcifur ("Sophie, help! I'm going out!") provide plenty of amusement. And the animation is as close to flawless as you can get, from the chaotic absurdity Castle to the breathtaking aerial battles that Howl swoops in on. Tiny details are everywhere, from painted ceiling beams to elaborate doorknobs. Calcifur is the one sore point -- he's not done badly, but he looks vaguely artificial.

There are a few flaws in that the story could have used a bit more fleshing out -- at times the relationships between the characters are sketchy. Not much detail, for example, is given about sorceress Suliman (Blythe Danner) and her relationship to Howl, why she's so peeved at him. And it's a bit hard to comprehend why Howl's condition would turn him into a monster bird.

And while there are the usual "howls" that the English dubbing is inferior to the original Japanese vocal work, the American voice actors did exceptional work. Christian Bale and Billy Crystal are the major standouts -- Crystal is funny and dry as usual, while Bale is sultry, sexy, soft-spoken and deep. Except, of course, when Howl runs around the house wailing that his hair is ruined.

"Howl's Moving Castle" moves on a little too fast in places, but it's still a breathtaking, romantic, colorful ride. A wonderful story, told by one of the few filmmakers who could do it justice.

Howls moving Castle, is a stunning film.
With many animation films relying on CGI now, Howls moving castle moves away from the ten a penny films such as Madagascar, Ice age and Chicken Little. Don’t get me wrong they are not bad films, but animation is more than how real a studio can make a chickens feathers look. The animation in these films is more than that. You feel that someone has put time and feelings into these sorts of films. Although it is not as good as princess mononoke or spirited away Hayao Miyazaki still produces a film which makes you feel happy and pleasant at the end of it. It also has funny moments such as the wheezing dog, and what happens to the wicked witch, but it’s more than that. The film has a story line and just allows you to forget about reality, which is why I have given it 5 stars. Hayao never lets you down

I've been a fan of Miyazaki's work since I first saw My Neighbour Totoro and Porco Rosso during a mid-90's double bill and fell in love with the intricate stories, simply, yet larger than life characters, and the always breathtaking visuals. A recent Film Four retrospective on the work of Miyazaki and the famed Studio Ghibli has given me the opportunity to reacquaint myself with some of his earlier works, which has really been great preparation for readying myself for a second helping of this!!

Howl's Moving Castle is loosely based on the well-known book of the same name by Diana Wynne Jones, with Miyazaki and his collaborators opening up and elaborating on the text in order to incorporate many of the more recognisable Studio Ghibli trademarks. So, whereas the book once focused more clearly on the character of Howl, a wizard of dubious reputation, Miyazaki puts more emphasis on the character of Sofi, a heroine in the classic Studio Ghibli tradition. As the story unfolds the changes in the text point back to that earlier Miyazaki classic Porco Rosso, with the film continuing the idea of a character transformed by a curse (in this case, the young Sofi is cursed into the body of an old hag), seeking redemption in a anachronistic universe sometime during the First World War, that is overrun with flying machines, magical potions and other such Ghibli-like touches, such as fire demons, witchcraft and supernatural underworlds.

As with Porco Rosso, the film's setting and the use of iconography suggest deeper themes that most children probably won't pick up on, meaning that this is very much a film to be cherished by adults and adolescents too!! As with all Miyazaki's work, the animation is astounding, here advancing on the lush visuals of previous film Spirited Away to create perhaps the most jaw-dropping animated film ever made (though Mamuro Oshii's Ghost in the Shell 2 and Katsuhiro Otomo's Steamboy are both serious contenders). The colours are rich and vivid throughout, whilst the attention to even the most minute of period detail is impeccable, all adding to that sweeping Miyazaki grace, his feel for characters and his deft understanding of how to construct a sequence (both in terms of action and drama... making the film both magical and plausible in equal measures!!).

Howl's Moving Castle might be a little too obscure and sober for some viewers, especially when compared to some of Miyazaki's more celebrated works, such as My Neighbour Totoro and Kiki's Delivery Service, however, some perseverance reveals it to be every bit as memorable and beautiful as those two films, whilst the subtle references to early Miyazaki works like The Castle of Cagliostro and Laputa - Castle In The Sky make it an integral and equally magical entry into the Ghibli/Miyazaki canon.