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Published in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond.
Together with Molloy, How It Is counts for many readers as Beckett's greatest accomplishment in the novel form. It is also his most challenging narrative, both stylistically and for the pessimism of its vision, which continues the themes of reduced circumstance, of another life before the present, and the self-appraising search for an essential self, which were inaugurated in the great prose narratives of his earlier trilogy.
she sits aloof ten yards fifteen yards she looks up looks at me says at last to herself all is well he is working my head where is my head it rests on the table my hand trembles on the table she sees I am not sleeping the wind blows tempestuous the little clouds drive before it the table glides from light to darkness darkness to light
Edited by Edouard Magessa O'Reilly
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For those not familiar with much of his output, I would suggest a long term approach... start with All Strange Away (Calderbooks) to ascertain if you have a taste for Beckett's later style. Try the more conventional early novel Murphy followed by Watt as a halfway house. Reward yourself with the How It Is peak. Take as long as you need to read it first time round. Thereafter, try reading it in a week... then read it in one day. How It Is can be revisited again and again. Immerse yourself in the way one approaches a painting (as when the need to convert a picture to literature has gone).
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