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How Fiction Works Hardcover – 7 Feb 2008

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Product details

  • Hardcover: 208 pages
  • Publisher: Jonathan Cape Ltd (7 Feb. 2008)
  • Language: English
  • ISBN-10: 0224079832
  • ISBN-13: 978-0224079839
  • Product Dimensions: 14.2 x 2.1 x 22.3 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Bestsellers Rank: 833,373 in Books (See Top 100 in Books)

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Review

'...refined taste, keen observation, and the ability to make the reader argue, passionately, with it.' -- Financial Times

'Intelligent, well-read and extremely confident' -- Gaurdian

`the world's leading critic.... Whether he praises or pillories, he makes you want to read the text he's freshly filleted.' -- Sun Herald

'the overall spirit and implication of this book are as important as its direct statements'
-- Irish Times

'there aren't many book reviewers like James Wood'
-- Sunday Telegraph

`James Wood is Britain's lost literary critic... very little literary criticism achieves that.' -- Evening Standard

`James Wood's enchanting new book...Witty, concise, and composed with a lovely lightness of touch' -- The Economist

`exceptionally illuminating... brilliantly acute and enticingly widely red work. It should be compulsory...' -- Herald

`this compelling essay shows just how deeply, sensitively, imaginatively and joyfully he reads' -- Scotland on Sunday

`what is impressive about How Fiction Works is its practical utility' -- TLS

Review

'it's like being taught by a very good teacher...
your head will be ringing with images...they are beautifully chosen.' --This text refers to the Paperback edition.

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Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

15 of 15 people found the following review helpful By Jeremy Persaud on 2 April 2009
Format: Paperback Verified Purchase
An engrossing examination of the writers art, and a must read for anyone with a love of books and writing. James Wood explores classic and modern writers and their works to divine the essence of what makes great literature - looking at narration, detail, dialogue and other characteristics that make up a novel. This illuminating and erudite study of fiction should be read by all aspiring authors and book worms who ponder over the elusive qualities that create great literature.
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22 of 23 people found the following review helpful By Jennifer Cameron-Smith TOP 500 REVIEWER on 24 May 2010
Format: Hardcover
The title attracted my attention: I know what I like when I read it, but I don't always stop to analyse how it works, or even why. I also wondered, as I made a decision to read, whether a book of less than 300 pages could address this to my satisfaction.

I found the book interesting. Far from attempting definitive answers, Professor Wood poses a set of questions to consider as part of critical reading. Consider the following:
`What do we mean when we say we `know' a fictional character?'
`What constitutes a `telling' detail?'
`When is a metaphor successful?'
`Why do most endings of novels disappoint?'
Professor Wood covers the narrative and style of a range of different authors, including Homer, Austen, Woolf, Bellow, Beatrix Potter, Coetzee, Le Carre and Pynchon.

For me, this book is a starting point rather than a destination. I enjoyed the writing, didn't always share the conclusions and would like to consider further some of the other forms of fiction apart from novels.

Jennifer Cameron-Smith
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5 of 5 people found the following review helpful By Judy Croome on 12 Feb. 2013
Format: Paperback
A worthwhile read simply for experiencing Wood's enthusiasm for literature. However, this short book is less a "how-to-write" manual than it is an ode to literary realism.

The examples Wood provides are analysed in a manner, which (for a change) leaves me hopeful that one day my writing could amount to something, where other books on writing by literary critics tend to leave me feeling battered by my foolish dream to be A Writer. Wood's delight in his favourites inspires and encourages one to read and write better.

Wood didn't quite maintain his desire to write for the "commoner" without the "true scholastic stink" of an elistist literary critic: although his examples and analysis of these great writers are by far the most approachable I've read, the ease with which he drops quotes from Homer, Chekov, McEwan, Wordsworth, even Shakespeare, by their very nature must be alienating for the "common reader."

However, I couldn't help but wonder if HOW FICTION WORKS wasn't Wood's subtle protest against the rise of the "thousands of foolish reader reviews on Amazon.com"[Pg 80]. Is this a literary critic's version of marking his territory? Certainly, many readers who write reviews for Amazon (or any other reader website) don't have either Wood's vast knowledge of classical literature or his extensive critic's language, but does that render their opinion worth any less than his or any other literary critics? At times I felt this book was not for the common reader as Wood's opening preface claimed, but a rather aggrieved response, a sort of intelligent and erudite "so there!" to the reader reviewers encroaching on the hallowed ground of professional literary criticism.
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7 of 7 people found the following review helpful By Adam on 1 May 2011
Format: Paperback
Very interesting and readable - I liked the style history with the key developments as well as some pointers about different possible methods. This is aimed at the educated reader as well as the writer and benefits from being more real as a result. I got the hang of the free and indirect style within ten minutes of finishing reading the chapter; although, I do have to go back again as it is a fine and complex piece of human technology. I wish my English teachers had read this book, as despite having an English A-level many years ago, it really changed my perception of the novel.
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15 of 16 people found the following review helpful By Dr. David Woods on 3 April 2011
Format: Paperback
I heard just a part of one of James Wood's five "Essays" on the BBC Radio 3 late night slot and it alone sent me running out to buy this book. Well that would have been the reaction a few years ago. Now it was straight to the computer and Amazon Prime. I consumed / devoured / gobbled this easy-to-read slim volume, in little sessions, so rich the tastes and text(ure)s. He writes with that easy to read style, is almost always convincing, always lucid, always provocative, fresh and serious.
I'm about to attack a work of fiction, my first, trying to whittle it down / refine / compress it and Dr. Wood's work (along with a 'How to write' book by a writer named Prose, which I'm also finding of value) will be by my side. I'm sure I'll dip into Wood's off and on in the years to come, its short numbered sections, reminiscent (sp?) of Lodge's "Art of Fiction"'s lay-out, which I used when teaching screen-writing, making it easy to find nourishment in its bite-size entries. These few (hurried) words are in appreciation and thanks.
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13 of 14 people found the following review helpful By R. Ahmed on 19 Feb. 2009
Format: Paperback
Don't take heed of the other reviews, this is a truly brilliant book. Part-literary criticism, part advice on how to write a novel, and part poetry. Wood's is a critic who writes like a superb poet-novelist and everything he has to say is pertinent to every would be critic and/or would be novelist. The book isn't just an account of how novels work, but how they can work better.

There are some truly awe-inspiring passages in this book, I had to put it down few times just to savour the writing and the ideas.

Don't just take my word for it, read the opening few pages. You'll be impressed.
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