- Hardcover: 219 pages
- Publisher: Farrar Straus Giroux (Jan 1981)
- Language English
- ISBN-10: 0374173133
- ISBN-13: 978-0374173135
- Product Dimensions: 22.5 x 16.2 x 2.1 cm
- Average Customer Review: 4.4 out of 5 stars See all reviews (27 customer reviews)
- Amazon Bestsellers Rank: 957,317 in Books (See Top 100 in Books)
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Review
"'So precise, so distilled, so beautiful that one doesn't want to miss any pleasure it might yield.' New York Times Book Review; 'Marilynne Robinson uses language so exquisitely... every sentence is a wonderful sentence, made just right.' Washington Post Book World"
--This text refers to an out of print or unavailable edition of this title.
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'I found myself reading slowly, than more slowly--this is not a novel to be hurried through, for every sentence is a delight.'
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Most Helpful Customer Reviews
85 of 87 people found the following review helpful
Format:Paperback
Housekeeping is traditionally and stereotypically the preserve of women, and it is women who dominate this wonderful, award-winning novel. (All men are dead or otherwise absent).
The Foster family is one beset by tragedy and isolation, both that which is thrust upon them and that of their own making. Generations of them have lived in the evocatively named lakeside town of Fingerbone, whose lake informs their identity and shapes their lives. Their story is told by Ruth, beginning with the accidental death by drowning of her grandfather, which occurred some years before she was born. This leaves her grandmother to bring up her three teenage daughters on her own. Eventually, all three grow up and fly the nest, leaving Mrs Foster alone with her housekeeping rituals and her thoughts. Helen, the middle daughter, marries, moves to Seattle and has two daughters of her own - Ruth and Lucille.
When Ruth is five, Helen takes her and Lucille back to Fingerbone and, having left them in their grandmother's care, drives her car off a cliff and into the same lake which took her father. For the next few years Ruth & Lucille are brought up by their grandmother. On her death, their paternal great-aunts take over the job for a while, but, feeling inadequate and uncomfortable, they send off for the girls' Aunt Sylvie, who eventually agrees to stay on and look after them.
Sylvie is eccentric, to say the least. She ignores (or, at least, is not bothered by) Ruth and Lucille's truancy, neglects conventional housework while performing other, unnecessary tasks in the name of housekeeping, has odd habits and dresses the girls inappropriately. As Lucille gets older, she gets increasingly fed up with such behaviour and eventually just moves in with a schoolteacher. Ruth is left alone with Sylvie whose influence on her gradually increases in intensity until the novel reaches its dramatic denouement.
Robinson's prose is deceptively simple: Many of her similes (as John Mullen has pointed out elsewhere on the web), for example, are new coinages and yet have the well-worn feel of those which have been in use for hundreds of years. 'As warped as water' is just one such instance. Her imagery generally is atypical: water, for example, is portrayed as an almost malevolent force, rather than something which cleanses or purifies. Written in an exquisite poetic style, the novel reads beautifully. Moreover, her exploration of grief and the damage which occurs when that is overly internalised is expertly done. The questions the novel raises about the nature of isolation and the way in which an 'abnormal' family may interact with the rest of the community are also intriguing. In short, this is an absorbing, thought-provoking novel, full of arresting images which will remain with me for some time to come. Well worth a read.
The Foster family is one beset by tragedy and isolation, both that which is thrust upon them and that of their own making. Generations of them have lived in the evocatively named lakeside town of Fingerbone, whose lake informs their identity and shapes their lives. Their story is told by Ruth, beginning with the accidental death by drowning of her grandfather, which occurred some years before she was born. This leaves her grandmother to bring up her three teenage daughters on her own. Eventually, all three grow up and fly the nest, leaving Mrs Foster alone with her housekeeping rituals and her thoughts. Helen, the middle daughter, marries, moves to Seattle and has two daughters of her own - Ruth and Lucille.
When Ruth is five, Helen takes her and Lucille back to Fingerbone and, having left them in their grandmother's care, drives her car off a cliff and into the same lake which took her father. For the next few years Ruth & Lucille are brought up by their grandmother. On her death, their paternal great-aunts take over the job for a while, but, feeling inadequate and uncomfortable, they send off for the girls' Aunt Sylvie, who eventually agrees to stay on and look after them.
Sylvie is eccentric, to say the least. She ignores (or, at least, is not bothered by) Ruth and Lucille's truancy, neglects conventional housework while performing other, unnecessary tasks in the name of housekeeping, has odd habits and dresses the girls inappropriately. As Lucille gets older, she gets increasingly fed up with such behaviour and eventually just moves in with a schoolteacher. Ruth is left alone with Sylvie whose influence on her gradually increases in intensity until the novel reaches its dramatic denouement.
Robinson's prose is deceptively simple: Many of her similes (as John Mullen has pointed out elsewhere on the web), for example, are new coinages and yet have the well-worn feel of those which have been in use for hundreds of years. 'As warped as water' is just one such instance. Her imagery generally is atypical: water, for example, is portrayed as an almost malevolent force, rather than something which cleanses or purifies. Written in an exquisite poetic style, the novel reads beautifully. Moreover, her exploration of grief and the damage which occurs when that is overly internalised is expertly done. The questions the novel raises about the nature of isolation and the way in which an 'abnormal' family may interact with the rest of the community are also intriguing. In short, this is an absorbing, thought-provoking novel, full of arresting images which will remain with me for some time to come. Well worth a read.
27 of 28 people found the following review helpful
Format:Paperback
This perhaps one of the most haunting, memorable and beautiful books written in the last century. It is also a strange book, and a mysterious one that will live with you afterwards and repays subsequent readings. It is a book like no other. Of no great size, it can be read in an afternoon, but is dense and complex,like the best poetry.
'Housekeeping' is actually about the abandonment of keeping house because keeping house is presented in the book to be a hopeless task. Time and change are far more powerful. It is far better, we are told to live lightly, to try to keep nothing, to be attached to nothing, because, as Sylvie says, 'in the end even our bones fail'.
Two little girls are abandoned by their mother, a suicide, and taken care of by her sister, their Aunt Sylvie who is a drifter, but shoulders the responsibility of the children the best she can. Gradually, and this is beautifully evoked, she allows the house to be invaded by the natural world, to decay and the girls to drift, give up school,regular meals, abandon contact with the small town where they live on the edge of great lake. The lake itself is an ominous presence in its vast depths and darkness. Ruth follows her aunt's example but Lucille wants a different, more conventional life and leaves the other two to their own mysterious ways, their love of solitude and preoccupations with the woods, the lake and the railway.
It is hard to do justice to the detail of the writing, its poetic quality and the haunting images and ideas that emerge from the story. I suppose the main theme is transience, the idea that nothing lasts, and that keeping house is a futile activity so it is better to accept this and find pleasure in the passing, the fleeting. This may sound to be a negative idea but it really isn't. The book asks you searching philosophical questions about the nature of reality and provides no easy answers. But it will change you and images will stay with you ever after.
'Housekeeping' is actually about the abandonment of keeping house because keeping house is presented in the book to be a hopeless task. Time and change are far more powerful. It is far better, we are told to live lightly, to try to keep nothing, to be attached to nothing, because, as Sylvie says, 'in the end even our bones fail'.
Two little girls are abandoned by their mother, a suicide, and taken care of by her sister, their Aunt Sylvie who is a drifter, but shoulders the responsibility of the children the best she can. Gradually, and this is beautifully evoked, she allows the house to be invaded by the natural world, to decay and the girls to drift, give up school,regular meals, abandon contact with the small town where they live on the edge of great lake. The lake itself is an ominous presence in its vast depths and darkness. Ruth follows her aunt's example but Lucille wants a different, more conventional life and leaves the other two to their own mysterious ways, their love of solitude and preoccupations with the woods, the lake and the railway.
It is hard to do justice to the detail of the writing, its poetic quality and the haunting images and ideas that emerge from the story. I suppose the main theme is transience, the idea that nothing lasts, and that keeping house is a futile activity so it is better to accept this and find pleasure in the passing, the fleeting. This may sound to be a negative idea but it really isn't. The book asks you searching philosophical questions about the nature of reality and provides no easy answers. But it will change you and images will stay with you ever after.
39 of 41 people found the following review helpful
Format:Mass Market Paperback
This book creates a magical, almost dreamy atmosphere, and certain sections are very poetic. It follows the lives of two girls who are orphaned and looked after by their aunt, who was formerly a vagrant. Set in the lakes, the scenery is described beautifully. Emotionally very intelligent - it was easy to empathise with the characters. It is a short book, which is a shame.
I read this book years ago, and it remains the best book I have ever read.
I read this book years ago, and it remains the best book I have ever read.
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Most Recent Customer Reviews
Deservedly included in the Observer's top 100 novels
Beautiful, evocatively written tale, laden with wonderful imagery and observations. Definitely one of the best books I've read in the last few years, if not ever.
Published 2 months ago by oscar00
It's important to write well but it's not enough
I will agree with reviewers who wrote that 'Housekeeping' is well written, atmospheric, poetic... It is indeed so. But this is not enough to make it an interesting read. Read more
Published 7 months ago by H. Lacroix
uniquely lyrical, profound and beautiful
'Housekeeping' was Marilynne Robinson's first novel, to be followed twenty-four years later by 'Gilead' and then 'Home'. Read more
Published 8 months ago by Mr. Ian A. Macfarlane
Marilynne Robinson's 'Housekeeping'
If you enjoy literature and you have not yet read Marilynne Robinson's 'Housekeeping', order a copy right away. Read more
Published 12 months ago by Jean Evans
Certainly in my best novels of all time.
I would just think that any free spirit must read this book. I have seen it described as a "woman's book" due to the absence of men... Read more
Published 13 months ago by Celeste
I enjoyed the film more!
Fabulous idiosyncratic writer. Language beautiful and sometimes gets in the way a little. Very poignant and sad. I found the film was nore accessible and ultimately more rewarding
Published 14 months ago by JR
Stream of Consciousness on Lake Fingerbone
This slim novel is deceptively easy to read - the poetic style and unusual trains of thought require concentration and rereading to get the full meaning. Read more
Published 23 months ago by Antenna
Beautifully written, moving story!
This is a sad story, in some ways, but it's beautifully told, thought-provoking and the writing and imagery conveys the place, the people and their feelings to an extent that you... Read more
Published on 15 Nov 2009 by S. Fitzpatrick
Haunting loneliness
I had heard so much about the beauty and spiritual depths of this book. What I found was some amazingly descriptive writing, but with such an air of persistent loneliness and... Read more
Published on 16 Oct 2009 by Old Colonial
A quiet masterpiece
The beauty and rhythm of Robinson's prose often approaches poetry as she weaves her magical spell of landscape and feeling. Read more
Published on 21 Sep 2009 by Eileen Shaw
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