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2 of 2 people found the following review helpful:
4.0 out of 5 stars
A film for middle-aged men to see and for middle-aged women to say, "I told you so,", 7 May 2007
This review is from: Housekeeper [DVD] [2002] [Region 1] [US Import] [NTSC] (DVD)
If Une Femme de Ménage (The Housekeeper) is, as some critics have said, a French souffle, it was made with bitter-sweet chocolate. This somewhat rueful, somewhat ironic and generally good-natured film is the story of Jacques Gautier (Jean-Pierre Bacri), a middle-aged sound engineer in Paris whose wife has left him for another man. Gautier is a reasonably fit, attractive, balding man still coming to grips with living a life without a wife. His apartment is a mess. So he decides to hire a housekeeper, someone who will come in once a week and clean up after him. The woman who answers his ad is 20-year-old Laura (Emillie Dequenne) who, it turns out, has never been a housekeeper but who needs a job. If Jacques is the kind of man who hurries to clean up his apartment before the housekeeper arrives, Laura is the kind of young woman who cleans more or less well while wearing very short skirts and tops that allow for a generous decolletage. It's not long before Jacques decides, accurately, that he needs his apartment cleaned more often than once a week, and that Laura sees him as someone she could like a lot. In fact, it's not too long before she confides that she must leave the place she shares because she's splitting up. She has no place to move to. Before Gautier is quite aware of the consequences, Laura has accepted his invitation to temporarily stay with him. And before long, as well as cleaning the apartment, cooking the meals and ironing his clothes, she's sharing his bed. Gautier doesn't object, really, especially when the wife who left him, played grimly by Catherine Breillat, shows up at his door and tells him she'd like to come back. Gautier is wise enough to have none of that.
When Jacques decides to get away and clear his head with a visit to an old friend on the Brittany coast, he suddenly finds Laura is accompanying him. For a 50-year-old man, having a 20-year-old lover has its advantages. Ah, but...when Laura wants to dance until midnight, Jacques begins to think about going to sleep at 10. When Laura sunbathes at the beach, Jacques remembers to wear his cap. When Laura urges him to go swimming in the ocean, Jacques can only think about how cold the water might be. When Laura enjoys her rock music at full volume, Jacques tries to listen to his classical music on low. The battle of the sexes combined with the battle of the generations was never more poignant. And when it's time to leave, and after Laura has taken to wearing Jacques' old wedding ring so that they can pretend to be married, Laura discovers a new truth. "In Paris I'm you're housekeeper. I feel good here. I want to stay." When Jacques says he must return to his job, Laura adds, "I've met someone." Poor Jacques. Is it with regret or relief that he finds himself sitting on the beach with Laura on one side and the mother of Laura's new friend on his other...the attractive mother who thinks Laura is Jacques' daughter. We know what Laura is going to do. Other than return to Paris, do we know what Jacques is going to do? Does Jacques know? For middle-aged men who think 20-year-old crumpets will bring new life and energy, they may want to avoid this movie. For everyone else, it's a pleasant and amusing excursion into rueful honesty.
One of the reasons the movie works so well is the performance of Jean-Pierre Bacri. He's a fine actor with a face that can look skeptical, quizzical and thoughtful, as well as, in some of his movies, tough. He reminds me a little in looks of Michael Ironside. Watch him in Place Vendome; he keeps us guessing whether he's a tough guy or a sympathetic guy. Emillie Dequenne gives us an uneasily pleasant portrayal of a young woman who doesn't want to hurt anyone, but, after all, believes life is meant to be enjoyed as it comes. However, it's the women of Jacques' own age who make interesting impressions, even in small parts. While Breillat might make us think twice, she's a vivid presence. The actresses who portray Claire, an old friend of Jacques', and the mother of Laura's new best friend, give us portrayals of such attractive, friendly sophistication that we hope the next time around Jacques sticks with his own age.
The DVD transfer is fine. There are a couple of inconsequential extras.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Only the French can make movies like this, 5 Jan 2006
I almost gave up on this one forty minutes in. Don't you do that. The ending is superb. Premise: working class girl gets dumped by her boyfriend and seeks work by housekeeping. Well, that can lead to something better if you keep house for the right person. Jacques (Jean-Pierre Bacri) who recently got walked out on by his wife, and who, not so incidentally looks sixty--well, fifty-five--(actually he was barely fifty when this was made, but you get the point) gets his ad for a housekeeper answered by Laura (Emilie Dequenne) who is twentysomething--a young twentysomething. I guess there is not much else to say, and to be honest I decided I would force myself to watch the inevitable. But the director is Claude Berri who directed two of the best movies I ever saw: Manon of the Spring (1986) and Jean De Florette (1986). And so I stayed with it. At about the fifty minute mark the movie started to get interesting. I could feel that old guy/young girl love affair was going to take an unexpected fork in the road. (As Yogi said, if you come to a fork in the road, take it. The players have no choice.) Obviously, old guy/young girl can end only one way: young girl leaves old guy for young guy. This is biology. It will be painful. Claude Berri knows all this, and probably a lot better than I do. And so guess what? Well, I won't tell. But you will find that the last thirty-some minutes of this sexy romantic comedy delightful, and especially the very, very clever and most satisfying ending. Just prior to that Laura asks Jacques for his blessing. He won't give it, but she is right: he should. And then when we get the final "life is so...lifelike" grimace on Jacques's face, we can only smile. Emilie Dequenne is delightful as the strangely wise and very natural Laura, and Jean-Pierre Bacri is winning as the old guy who knows better, but on reflection should thank his lucky stars.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Only the French can make movies like this, 5 Jan 2006
By Dennis Littrell - Published on Amazon.com
This review is from: Housekeeper [DVD] [2002] [Region 1] [US Import] [NTSC] (DVD)
I almost gave up on this one forty minutes in. Don't you do that. The ending is superb.
Premise: working class girl gets dumped by her boyfriend and seeks work by housekeeping.
Well, that can lead to something better if you keep house for the right person.
Jacques (Jean-Pierre Bacri) who recently got walked out on by his wife, and who, not so incidentally looks sixty--well, fifty-five--(actually he was barely fifty when this was made, but you get the point) gets his ad for a housekeeper answered by Laura (Emilie Dequenne) who is twentysomething--a young twentysomething.
I guess there is not much else to say, and to be honest I decided I would force myself to watch the inevitable. But the director is Claude Berri who directed two of the best movies I ever saw: Manon of the Spring (1986) and Jean De Florette (1986).
And so I stayed with it. At about the fifty minute mark the movie started to get interesting. I could feel that old guy/young girl love affair was going to take an unexpected fork in the road. (As Yogi said, if you come to a fork in the road, take it. The players have no choice.) Obviously, old guy/young girl can end only one way: young girl leaves old guy for young guy. This is biology. It will be painful.
Claude Berri knows all this, and probably a lot better than I do. And so guess what?
Well, I won't tell. But you will find that the last thirty-some minutes of this sexy romantic comedy delightful, and especially the very, very clever and most satisfying ending.
Just prior to that Laura asks Jacques for his blessing. He won't give it, but she is right: he should. And then when we get the final "life is so...lifelike" grimace on Jacques's face, we can only smile.
Emilie Dequenne is delightful as the strangely wise and very natural Laura, and Jean-Pierre Bacri is winning as the old guy who knows better, but on reflection should thank his lucky stars.
15 of 18 people found the following review helpful:
5.0 out of 5 stars
A Good Cleaning's Guide To A Man's Heart, 29 Dec 2003
By "mobby_uk" - Published on Amazon.com
This review is from: Housekeeper [DVD] [2002] [Region 1] [US Import] [NTSC] (DVD)
You have to hand it to the French.They understand the psychology of relationships very well, if sometimes they delve too much into its analysis: The ups and downs, pains and joys, loneliness and longing,passion and distance, are all so well depicted in their films,of course with a dose of sensuality and a natural eroticism that is never gratitious. Jean De Florette's Claude Berri directs an excellent Jean-Pierre Bacri,and a refreshingly sexy Emilie Duquenne in yet another tale about human relationships and analyzes it with enough subtely as not to make it too overbearing. A lonely middle aged Bacri,freshly out of a relationship, hires a part time housekeeper who as his luck has it,is barely twenty years old and with an air of innocence and sexiness,a mixture enough to make any red blooded male take notice.And sure enough, Bacri who is experiencing a dull and empty existence takes notice. Well,his spell of good luck does not end there, for as it happens,his young employee leaves her boyfriend,and as a result has no place to stay.After a slight hestitation, he agrees to her request to let her stay with him for a 'couple of days' until she finds an alternative accomodation, and other housekeeping jobs, which he tries helping her to find,(and ever the gentlemen even offers to give her his bed and sleeps on the couch). Well, good fortune has something else in store for Bacri,for it is only a matter of time (indeed a very brief time) before Duquenne initiates sex, an offer he gladly accepts.Who said,as the old worn out cliche goes,that the way to a man's heart is through his stomach only? some good housework will not go amiss to the discerning lonely gentleman, provided of course the woman looks like Emilie Duquenne. Anyway, he is still bothered confused and annoyed by his ex's constant harrasement,wanting him back,so he decides to go for a couple of weeks to the country to recharge his batteries.Either it is love or fear of abandonment or more likely both,Duquenne pleads with him to take her along,(as his lover and companion) an offer again he finds very hard to resist..(who would???) Leading a quite and pleasent time by the seaside,their relationship has always from the start being ambigious, confused between a sexual companionship for two lonely people, and a long term possibilty. Well, towards the end, Duquenne, either because she is quite liberal in her 'amours' or liberated through her brief relationship with Bacri,finds a much younger suitor, and with so much ease tells her middle aged lover that she likes and wants them both,an offer this time, he finds very hard to accept!! The film ends with Bacri sitting between Duquenne and the middle aged mother of her new lover. Powerful ending but leaves a lot to be desired at the same time.As is the tradition of many French films, we do not see a proper conculsion to the story, but then probably we do not need to, because at the end it is not about a happy or sad ending, but simply about the complexity of relationships, and of human condition, and that does not always have a clear and rational justification or ending. Will Bacri move on and leave his lover to her new adventure, or will she think of lodging and security and moves back with him?? these possibilities are left by Berri for the viewers to conclude, as we leave the film with a sense of sympathy for both, and this I guess is much more vital. So Housekeeper, is a warm, bittersweet and gentle film that will not dazzle you with any special effects or grandiose themes, rather it will engage you thoroughly with the simplest of plots ,about love,loneliness and what does one want and expect from a relationship,given the many variables and differences,and the fights and compromises one has to go through.Psychology on celluloid of the finest kind 'a la Francaise'
19 of 24 people found the following review helpful:
4.0 out of 5 stars
Get It While You Can, 22 July 2003
By MICHAEL ACUNA - Published on Amazon.com
The world of Claude Berri's film "The Housekeeper" (La Femme de Ménage) is a melancholy, acidic, ultra self- reflective one. It is also a romantic and comedic world that harkens back to "The Apartment" and in particular the much maligned and neglected "Two for the Seesaw"(Robert Mitchum and Shirley MacLaine): both from the early 1960's. Despite the difference of forty odd years between them, all three of these films share a common view of the world and that is: take what you can get, latch on to it when and if you get it and if it leaves, bid it a fond, though regretful farewell. Jacques (Jean-Pierre Bacri) is a sound recording engineer (who wears ear plugs to block out the sounds of the night), still reeling from a recent divorce and Laura (Emilie Dequenne), a very young (20) woman who has come into Jacques's world, not only to clean his apartment but also to bring sex and love back into his life. What is particularly refreshing about this film is that both Laura and Jacques are very realistic in regards to what they want from each other and fully comprehend the shortcomings and limitations of these desires. In other words they take full responsibility for their actions and that, in our current world of personal as well as national spin, is a welcome novelty. Berri has been very astute in his choice of music also. The soundtrack is filled with middle period jazz that sounds like the 1950's and 1960's music of Dave Brubeck and Gerry Mulligan and adds a sonic equivalent of the stalwart romantic notions of the film itself. "The Housekeeper" ends as it begins: with a wide open and vulnerable heart and a deep concern for it's characters that looks very much like loss but on closer inspection and introspection is really a formal, respectful accommodation for the foibles of what makes us all human.
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