You have to hand it to the French.They understand the psychology of relationships very well, if sometimes they delve too much into its analysis: The ups and downs, pains and joys, loneliness and longing,passion and distance, are all so well depicted in their films,of course with a dose of sensuality and a natural eroticism that is never gratitious.
Jean De Florette's Claude Berri directs an excellent Jean-Pierre Bacri,and a refreshingly sexy Emilie Duquenne in yet another tale about human relationships and analyzes it with enough subtely as not to make it too overbearing.
A lonely middle aged Bacri,freshly out of a relationship, hires a part time housekeeper who as his luck has it,is barely twenty years old and with an air of innocence and sexiness,a mixture enough to make any red blooded male take notice.And sure enough, Bacri who is experiencing a dull and empty existence takes notice.
Well,his spell of good luck does not end there, for as it happens,his young employee leaves her boyfriend,and as a result has no place to stay.After a slight hestitation, he agrees to her request to let her stay with him for a 'couple of days' until she finds an alternative accomodation, and other housekeeping jobs, which he tries helping her to find,(and ever the gentlemen even offers to give her his bed and sleeps on the couch).
Well, good fortune has something else in store for Bacri,for it is only a matter of time (indeed a very brief time) before Duquenne initiates sex, an offer he gladly accepts.Who said,as the old worn out cliche goes,that the way to a man's heart is through his stomach only? some good housework will not go amiss to the discerning lonely gentleman, provided of course the woman looks like Emilie Duquenne.
Anyway, he is still bothered confused and annoyed by his ex's constant harrasement,wanting him back,so he decides to go for a couple of weeks to the country to recharge his batteries.Either it is love or fear of abandonment or more likely both,Duquenne pleads with him to take her along,(as his lover and companion) an offer again he finds very hard to resist..(who would???)
Leading a quite and pleasent time by the seaside,their relationship has always from the start being ambigious, confused between a sexual companionship for two lonely people, and a long term possibilty.
Well, towards the end, Duquenne, either because she is quite liberal in her 'amours' or liberated through her brief relationship with Bacri,finds a much younger suitor, and with so much ease tells her middle aged lover that she likes and wants them both,an offer this time, he finds very hard to accept!!
The film ends with Bacri sitting between Duquenne and the middle aged mother of her new lover.
Powerful ending but leaves a lot to be desired at the same time.As is the tradition of many French films, we do not see a proper conculsion to the story, but then probably we do not need to, because at the end it is not about a happy or sad ending, but simply about the complexity of relationships, and of human condition, and that does not always have a clear and rational justification or ending.
Will Bacri move on and leave his lover to her new adventure, or will she think of lodging and security and moves back with him?? these possibilities are left by Berri for the viewers to conclude, as we leave the film with a sense of sympathy for both, and this I guess is much more vital.
So Housekeeper, is a warm, bittersweet and gentle film that will not dazzle you with any special effects or grandiose themes, rather it will engage you thoroughly with the simplest of plots ,about love,loneliness and what does one want and expect from a relationship,given the many variables and differences,and the fights and compromises one has to go through.Psychology on celluloid of the finest kind 'a la Francaise'