I had seen the film when it first debuted back in 1990, and enjoyed it quite a bit, but looking back today, it's hard for me to divorce myself from a certain nostalgia for the look, sound and feel of the urban scene of 1990, when I was as deep into the music as I would ever be. Although this movie doesn't really feature artists on the cutting edge of hip hop of the day, and Kid N Play would come to be known more for their appearance in the House Party movies than anything they ever did as recording artists, there is still a beauty in the way the dialogue is presented and in the fashion of the young African-American teenagers that keeps it interesting for those that embrace such things.
Obviously, at the center of the film is a house party, where the high school clique gets together for some fun, dancing, a little drinking, and a little romance. The gist of the story is that Kid (Reid), a hyperactive high schooler with an enormous high-top fade hair style, is grounded for misdeeds in school, but he still manages a way to sneak out and join the fun. Some of the emphasis is on the romantic connections that will form between two of the girls there, Sidney (Campbell, Little Shop of Horrors) and Charane (Johnson, Dying Young), which Kid (Martin) and his best friend, Play, seem to be vying for. Meanwhile, the high school bullies (Full Force) that got Kid in trouble to begin with are on the prowl for him, while everyone must overcome overzealous cops, whiny neighbors, and maintaining a rep among the peers.
Although it was a modest hit when it was released, the enduring legacy of House Party is that it would eventually set the trend for nearly every party film that would come after it (Can't Hardly Wait is one prime example). It is also refreshing because it plays to its intended audience, but never speaks down to it, nor does it exclude people that aren't part of the scene it portrays from enjoying it. Unlike many other films which featured African-American casts of the time, it doesn't beat you over the head with forced positive messages, and conversely, it is mostly devoid of gangster drama, drugs, or serious crime that usually rear their ugly heads whenever an all-Black cast emerges ina Hollywood film. While there is some very subtle commentary on the nature of police suspicion of Blacks, safe sex, and drinking, they never veer into contrived melodrama, and in fact, they add a good deal of humor to the proceedings without seeming anything like a public service announcement. Other than that, it's a great movie to add on into your collection.