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Get an extra £5 when you trade in books worth £10 or more until June 30, 2012. Trade in House Of Leaves for an Amazon.co.uk gift card of up to £5.25, which you can then spend on millions of items across the site. Trade-in values may vary (terms apply). Find more products eligible for trade-in.
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Johnny Truant wild and troubled sometime employee in a LA tattoo parlour, finds a notebook kept by Zampano, a reclusive old man found dead in a cluttered apartment. Herein is the heavily annotated story of the Navidson Report.
Will Navidson, a photojournalist, and his family move into a new house. What happens next is recorded on videotapes and in interviews. Now the Navidsons are household names. Zampano, writing on loose sheets, stained napkins, crammed notebooks, has compiled what must be the definitive work on the events on Ash Tree Lane.
But Johnny Truant has never heard of the Navidson Record. Nor has anyone else he knows. And the more he reads about Will Navidson's house, the more frightened he becomes. Paranoia besets him. The worst part is that he can't just dismiss the notebook as the ramblings of a crazy old man. He's starting to notice things changing around him . . .
Immensely imaginative. Impossible to put down. Impossible to forget. House of Leaves is thrilling, terrifying and unlike anything you have ever read before.
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I think this feeling was heightened by the typographical games Danielewski plays. For me these were one of the best parts of the book because the layout of the text seems to be mirroring what is happening or being talked about in the main part of the text, so for example in the Labyrinth chapter, the text is in unconnected blocks on the page which are the circuitous paths you read/walk by following the footnotes back and forth across the pages.
As for the footnotes themselves, someone else reviewed this and said that they are misleading but I think that is the whole point - throughout the book we are told that no-one apart from Zampano knows about The Navidson Record. He is deliberately using misleading or fictive quotes and sources to write a faux-academic paper about an imaginary film. The quotes and footnotes then are meant to add a touch of veracity to this game with fictive levels but should not be taken too seriously.
The one thing that got on my nerves was the whole Jonny Truant narrative. He rambles on for pages about not very much, his story is a lot less interesting than the main one and his diversions always seem to happen when the main story is at its most interesting. However, he is an essential component for understanding the book so I wouldn't advise skipping his parts - plus, towards the end a lot of the ideas etc seem to tie together around him. My own theory s that he is meant to be taken as the sole author of the whole work (i.e. he is Zampano and Jonny Truant) because there are lots of textual echoes between Zampano's bits and the letters of Jonny's mother.
At times I thought Danielewski seemed to be hinting at language's/text's (in)ability to represent space and with all the typographical games to be pushing at the boundaries of what can be represented (and how it can be represented). I'm sure someone's PhD is lying somewhere in this dense, encyclopedic novel full of ideas as there is such an inexhaustible stream of information that it could take years of study to understand it from all it's different angles. I think Danielewski is sending up whilst at the same time working within this academic framework with many of the footnotes which are speculating about the film's possible meaning (in fact, it's almost worth reading just for these which rip-take the pointless, convoluted, preposterous ideas of mainly American, mainly literary academics).
All in all, this book is not for the fainthearted, is hard work to read but contains an intriguing story, and ambitious and poetic textual experimentation which make it a rewarding read.
If you're into the whole non-linear, multiple narrative thing but want a read that isn't quite as complex as this try Perec's 'Life A User's Manual' and Calvino's 'If on a Winter's Night a Traveller'.
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